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Updated: June 14, 2025
He opened it, and to his astonishment read at the end the signature "Michel Eyraud." It was a curious letter, but undoubtedly genuine. In it Eyraud protested against the suspicions directed against himself; they were, he wrote, merely unfortunate coincidences.
Eyraud and Bompard, Mr. and Mrs. Manning, Burke and Hare, the Peltzer brothers, Barre and Lebiez, are instances of those collaborations in crime which find their counterpart in history, literature, drama and business. Antoninus and Aurelius, Ferdinand and Isabella, the De Goncourt brothers, Besant and Rice, Gilbert and Sullivan, Swan and Edgar leap to the memory.
But one day in December, from the keeper of a boarding-house in Gower Street, M. Goron received a letter informing him that the writer believed that Eyraud and Gabrielle Bompard had stayed recently at his house, and that on July 14 the woman, whom he knew only as "Gabrielle," had left for France, crossing by Newhaven and Dieppe, and taking with her a large and almost empty trunk, which she had purchased in London.
Eyraud, repenting of his confidence, and no doubt anxious to rid himself of a dangerous witness, took his friend into an ill-lighted and deserted street; but the friend, conscious of his delicate situation, hailed a passing cab and made off as quickly as he could. Next day, the 20th, the search for Eyraud was set about in earnest.
As soon as he had gone, she went to the French Consul and told him her story. By one of those singular coincidences that are inadmissable in fiction or drama, but occur at times in real life, there happened to be in Havana, of all places, a man who had been employed by Eyraud at the time that he had owned a distillery at Sevres. The Consul, on hearing the statement of Mme.
Before extracting from their various avowals, which grew more complete as time went on, the story of the crime, let us follow Eyraud in his flight from justice, which terminated in the May of 1890 by his arrest in Havana. Immediately after the arrest of Gabrielle, two French detectives set out for America to trace and run down if possible her deserted lover.
Neither denied the murder, but each tried to represent the other as the more guilty of the two. Eyraud said that the suggestion and plan of the crime had come from Gabrielle; that she had placed around Gouffe's neck the cord that throttled him. Gabrielle attributed the inception of the murder to Eyraud, and said that he had strangled the bailiff with his own hands.
An examination of the luggage left by the so-called Gorski at his last hotel and a determined attempt at suicide made by their prisoner during the night proved conclusively that to the Spanish police was the credit of having laid by the heels, ten months after the commission of the crime, Michel Eyraud, one of the assassins of the bailiff Gouffe.
Gouffe was to sit on the chair, Gabrielle on his knee. Gabrielle was then playfully to slip round his neck, in the form of a noose, the cord of her dressing gown and, unseen by him, attach one end of it to the swivel of the rope held by Eyraud. Her accomplice had only to give a strong pull and the bailiff's course was run.
Unfortunately it could not be avoided altogether, but with Eyraud such work as he was compelled at different times to endure was only a means for procuring money for his degraded pleasures, and when honest work became too troublesome, dishonesty served in its stead. When he met Gabrielle he was almost at the end of his tether, bankrupt and discredited.
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