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Updated: June 15, 2025


Charles Meryon was, nevertheless, a sane and a magnificent etcher. He executed about a hundred plates, according to Burty. He did not avoid portraiture, and to live he sometimes manufactured pot-boilers for the trade. To his supreme vision was joined a miraculous surety of touch.

And he loves to depict the glistening curves of his big model as she stands in the sunlight, a solid reproach to physical and moral anæmia. A pagan, by Apollo! As an etcher the delicacy of his sheathed lion's paw is the principal quality that meets the eye, notwithstanding the broad execution. Etching is essentially an impressionistic art. Zorn is an impressionist among etchers.

Nevertheless, the French etcher would never have written his signs so freely had not the Japanese so freely drawn his own. Furthermore still, the transitory and destructible material of Japanese art has done as much as the multiplication of newspapers, and the discovery of processes, to reconcile the European designer the black and white artist to working for the day, the day of publication.

Nobility of form, grandeur of mass, a light and shade that is positively dramatic in its dispersion over wall and tower, are the characteristic marks of this unique etcher. He could not resist the temptation of dotting with figures the huge spaces of his ruins. They dance or recline or indulge in uncouth gestures.

It was outlined in an oblong of red ink, but was itself written in green, the capitals being supplied with tap-roots extending to the base of each name. Mary tossed the letter over to Stefan with a smile. He looked at it judicially. "There's draughtsmanship in that," he said; "she might have made an etcher. It's drawing, but it's certainly not handwriting."

He snatched from a side-table and showed the identical authentic letter from Vienna to Mr. Alfred Prince, with its official heading, foreign calligraphy, and stilted English. The letter was very complimentary. In George's estimation Mr. Prince did not look the part of an etcher of continental renown.

But, however the Moko artist learned his designs, he was a painstaking and conscientious craftsman in imprinting them on his subject. No black-and-white draughtsman of our time, no wood-cutter, etcher, or line-engraver, worked with slower deliberation. The outlines were first drawn with charcoal or red ochre. Thus was the accuracy of curve and scroll-work ensured.

He knows nothing of life, neither does he know how to sell his plates or find an editor. His work is very easy to sell. Baudelaire was hardly a practical business man, but, like Poe, he had sense enough to follow his market. He instantly recognised the commercial value of Meryon's Paris set, but knew the etcher was a hopeless character.

Shabby and creased as usual, he looked far more like a clerk in some establishment where clerks were not morally compelled to imitate dandies than like an etcher of European renown.

I already hate the names of Ibsen, Shaw, Wilde, Symons, Maeterlinck, and Gorky. I am only waiting for them to discover Max Klinger and Manet " "Klinger?" asked Stone. "Where have I heard that name?" "He is the great unconscious humorist of modern art, also a great etcher," said Isabel, dryly. "Have you ever heard of the Secessionists?" "Of course," replied Stone, huffily.

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