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Updated: June 4, 2025
For it never makes any difference which of these two is the last foot of a sentence. But these same three feet end a sentence very badly if one of them is placed at the end, unless the dactyl comes at the end instead of a cretic; for it does not signify whether the dactyl or the cretic comes at the end, because it does not signify even in verse whether the last syllable of all is long or short.
Warold, for there be no rule agin it, and in conversation or correspondince with Mike Flannery, before th' hour av sivin and after th' hour av nine, ye may spell as ye please, and I will do th' same, for thin I am off duty; but durin' th' office hours th' whole dang list from 'abridgment' t' 'wrapt' must be spelled accordin' t' orders. Yis, sir, 'polyp' and 'dactyl' and th' whole rist av thim.
The authors, therefore, whom I mentioned before attended merely to the easy flow of our language, without any regard to it's dignity. For the iambic and the dactyl are chiefly used in poetry; so that to avoid versifying in prose, we must shun, as much as possible, a continued repetition of either; because the language of prose is of a different cast, and absolutely incompatible with verse.
For as the paeon has three short syllables, and the dactyl two, he thinks their shortness and celerity give a brisk and lively flow to our language; and that a different effect would be produced by the trochee and the spondee, the one consisting of short syllables, and the other of long ones; so that by using the former, the current of our words would become too rapid, and too heavy by employing the latter, losing, in either case, that easy moderation which best satisfies the ear.
LVIII. But what feet ought to be mingled with others, like purple, must be now explained; and we must also show to what kind of speech each sort of foot and rhythm is the best adapted. For the iambic is most frequent in those orations which are composed in a humble and lowly style; but the paeon is suited to a more dignified style; and the dactyl to both.
The iambic, therefore, which consists of a long syllable and a short one, and is equal in time, though not in the number of it's syllables, to a choree, which has three short ones; or even the dactyl, which consists of one long and two short syllables, will unite agreeably enough with the last foot of a sentence, when that foot is either a choree or a spondee; for it is immaterial which of them is employed.
These feet, in the Latin and Greek languages, were always either dactyls, or spondees; the time of a dactyl, being only that of a spondee. In modern languages, however, metre being regulated by the emphasis, or intonation of the syllables, and not by the position of the letters, spondees can scarcely exist, except in compound words, as dark-red.
He disliked the texture of those stiff verses, in their official garb, their abject reverence for grammar, their mechanical division by imperturbable caesuras, always plugged at the end in the same way by the impact of a dactyl against a spondee.
Voltaire was furious; he tried to get the courts to take it up, but the prevailing idea was that he had gotten what he deserved, and the fact that the whole affair occurred after dark and the Chevalier did not do the beating in person, made conviction impossible. But Voltaire now quit the anapest and dactyl and devoted his best hours to taking fencing lessons.
Pain is always by the side of joy, the spondee by the dactyl. Master, I must relate to you the history of the Barbeau mansion. It ends in tragic fashion. It was in 1319, in the reign of Philippe V., the longest reign of the kings of France. The moral of the story is that the temptations of the flesh are pernicious and malignant.
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