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Updated: June 12, 2025
When they left my daughters in the Oak-forest of Corpes they chose to have nothing to do with me, and renounced my love; let them therefore give me back the swords, seeing that they are no longer my sons-in-law. Then the King commanded the Alcaldes to judge upon this demand according as they should find the right; and they took counsel and judged, that the swords should be restored unto the Cid.
And on the morrow at sunrise the Cid gave his banner to Pero Bermudez, and bade him bear it boldly like a good man as he was, but he charged him not to thrust forward with it without his bidding. And Pero Bermudez kissed his hand, being well pleased. Then leaving only two foot-soldiers to keep the gates, they issued out; and the Moorish scouts saw them and hastened to the camp.
On the morrow the Cid and his company rode towards Valencia, and the Moors came out to the tourney; and Martin Pelaez went out well armed, and was among the foremost who charged the Moors, and when he was in among them he turned the reins, and went back to his lodging; and the Cid took heed to all that he did, and saw that though he had done badly he had done better than the first day.
In the Cid, the scene of the action manifestly changes several times in the course of the same act, and yet in the representation the material scene was never changed.
Lusitania had a Viriatus, Rome a Caesar, Carthage a Hannibal, Greece an Alexander, Castile a Count Fernan Gonzalez, Valencia a Cid, Andalusia a Gonzalo Fernandez, Estremadura a Diego Garcia de Paredes, Jerez a Garci Perez de Vargas, Toledo a Garcilaso, Seville a Don Manuel de Leon, to read of whose valiant deeds will entertain and instruct the loftiest minds and fill them with delight and wonder.
And I give order, and forbid any one, to speak without my command, or to utter aught insolent against the Cid; and I swear by St. Isidro, that whosoever shall disturb the Cortes shall lose my love and be banished from the kingdom. I am on the side of him who shall be found to have the right.
But a decided "hit" was 'Chatterton' , an adaption from his prose-work 'Stello, ou les Diables bleus'; it at once established his reputation on the stage; the applause was most prodigious, and in the annals of the French theatre can only be compared with that of 'Le Cid'. It was a great victory for the Romantic School, and the type of Chatterton, the slighted poet, "the marvellous boy, the sleepless soul that perished in his pride," became contagious as erstwhile did the type of Werther.
And the Cid took a good thousand prisoners; among them was Don Bernalte de Tamaris, and Giralte the Roman, and Ricarte Guillen.
In the "Cid," the triumph of love was exhibited; in "Les Horaces," love was represented as punished for its rebellion against the laws of honor; in "Cinna," all more tender considerations are sacrificed to the implacable duty of avenging a father; while in "Polyeucte," duty triumphs alone.
But the Moors of Alcocer were full sorry to see him depart, because he had been to them a kind master and a bountiful; and they said unto him, Wherever you go, Cid, our prayers will go before you; and they wept both men and women when my Cid went his way.
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