Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: May 10, 2025
All the whistlers of Italy, says Castil-Blaze, seemed to have made a rendezvous at the Teatro Argentina on the night set down for the first production. Their malicious intentions were helped along by accidents at the outset of the performance. Details of the story have been preserved for us in an account written by Signora Giorgi-Righetti, who sang the part of Rosina on the memorable occasion.
Monsieur Castil-Blaze, being from the same neighborhood with me, had obtained a place for me in the "Revue," which belonged to his son-in-law, Monsieur Buloz. I promised Henry Murger to speak a good word for him. A favorable opportunity of doing so occurred a few days afterwards.
The reader will remember the fate of Weber's Freischütz, outrageously hissed when first produced at Paris in its original form. Nine days later it was reproduced, having been taken to pieces and put together again by M. Castil-Blaze, and thus as Robin des Bois it ran for 357 nights.
Wonderful Success at Milan, where he first plays One of the Greatest of his Compositions, "Le Streghe." Duel with Lafont. Incidents and Anecdotes. His First Visit to Germany. Great Enthusiasm of his Audiences. Experiences at Vienna, Berlin, and other German Cities. Description of Paganini, in Paris, by Castil-Blaze and Fetis. His English Reception and the Impression made. Opinions of the Critics.
He was then forty-seven years old, and Castil-Blaze described him as being nearly six feet in height, with a long, pallid face, brilliant eyes, like those of an eagle, long curling black hair, which fell down over the collar of his coat, a thin and cadaverous figure altogether a personality so gaunt and delicate as to be more like a shadow than a man.
The reckless imagination that distinguishes the Shakespearian comedy and does not shrink before the introduction of a lion and a serpent into the forest of Arden, and the miraculous and instantaneous conversion of the wretch Oliver into a worthy suitor for Celia, needed to be toned down for acceptance by the Parisians. But Madame Sand was less fortunate than M. Castil-Blaze.
Castil-Blaze says it was a month, but the truth is that the work consumed less than half that period. Donizetti, asked if he believed that Rossini had really written the score in thirteen days, is reported to have replied, no doubt with a malicious twinkle in his eyes: "It is very possible; he is so lazy."
According to Fetis and Castil-Blaze, he never had a superior in stage declamation, and the finest actors of the Comédie Française might well have taken a lesson from him. His first great success, which caused his engagement in grand opera, was the creation of Edgardo in "Lucia di Lammermoor" at Naples in 1835.
Word Of The Day
Others Looking