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Updated: May 9, 2025


A conception, you will perceive, which is opposed to that of Lenin and the orthodox Communists, and which explains why official Bolshevism is not over-enthusiastic about Pilniak. But taken in themselves and apart from his later work I think the stories in the manner of Bunin will be found the most satisfactory items in this volume.

Of these Death was written before the Revolution and, but for an entirely irrelevant and very Pilniakish allusion to Lermontov and other deceased worthies, it is entirely unconnected with events and revolutions. Very "imperfective" and hardly a "story," it is nevertheless done with sober and conscientious craftsmanship, very much like Bunin and very unlike the usual idea we have of Pilniak.

But Gorky, and that excellent though minor writer, Kuprin, are the only belated representatives of the fine nineteenth century tradition. For even Bunin is a poet and a stylist rather than a story teller: his most characteristic "stories" are works of pure atmosphere, as diffuse and as skeletonless as a picture by Claude Monet.

Tek off de shoon fum yo' feet lak Moses w'en he gwine neah de bunin' bush. Young mars'r en young mistis standin' dar 'spectful. Dey knows dat ef de gret Linkum yere hissef, Linkum's Lawd en Mars'r yere befo' 'im.

A national committee of seventy-four members was elected, from Paris, Constantinople, London, Belgrade, Berlin, Finland, Poland, Switzerland, Sofia, Vienna, Athens, Riga, the United States, and amongst those elected were the following well-known Russian personalities Burtsef, Struve, Kartashef, Bunin, Kuprin, Roditchef, Savitch, Tyrkova, Dioneo.

In A Year of Their Lives the same "animal" method is transfered to the treatment of primitive human life, and the shadow of Knut Hamsun is plainly discernible in the background. Death, The Heirs, and The Belokonsky Estate are first class exercises in the manner of Bunin, and only A Thousand Years and The Crossways herald in, to a certain extent, Pilniak's own manner of invention.

Altogether that autumn was an eventful one for him: Kuprin, Bunin and Gorky visited the Crimea; the writer Elpatyevsky settled there also, and Chekhov felt fairly well. Tolstoy's illness was the centre of general attention, and Chekhov was very uneasy about him.

A great, rudely built stone chimney was smoking languidly one afternoon. Leaning against this chimney, as if for protection and support, was a little cabin gray and decrepit with age. The door of the cabin stood wide open, for the warm spring was well advanced in the South. There was no need of a fire, but Aun' Jinkey, the mistress of the abode, said she "kep' hit bunin' fer comp'ny."

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