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Updated: June 8, 2025
Even the spirited deportment of the Signorina Borgherini, as told by Vasari, towards a dealer, who, during the siege of Florence, attempted to get possession of certain paintings belonging to her husband, to speculate upon by sending them to the king of France, may still find its counterpart in feeling, if not in fact, among some of the living daughters of that city.
In Florence, in the house of the sons of Giovanni Borgherini, there is a portrait by his hand of the said Giovanni, taken when he was a young man in Venice, and in the same picture is the master who was teaching him; and there are no two heads to be seen with better touches in the flesh-colours or with more beautiful tints in the shadows.
For the chamber of Pier Francesco Borgherini, of which mention has already been made so many times, Il Bacchiacca, in company with the others, executed many little figures on the coffers and the panelling, which are known by the manner, being different from the others.
During the siege of Florence, Borgherini was absent, and the picture dealer, Giovanni Battista della Palla, who prowled like a harpy to carry off treasures for the King of France, made an effort to obtain these paintings by inducing the government to confiscate them and sell them to him.
Wherefore Pier Francesco Borgherini, a Florentine merchant, who had taken over a chapel in S. Pietro in Montorio, which is on the right as one enters the church, allotted it at the suggestion of Michelagnolo to Sebastiano, because Borgherini thought that Michelagnolo would execute the design of the whole work, as indeed he did.
Thus spoke Madonna Margherita, the wife of Pier Francesco Borgherini, and the daughter of Ruberto Acciaiuoli, a most noble and wise citizen; and she, a truly courageous woman and a worthy daughter of such a father, with her noble ardour and spirit, was the reason that those gems are still preserved in that house.
Pier Francesco Borgherini espoused Margherita Accajuoli, and Salvi, the bridegroom's father, determined to prepare for his son's bride a wedding chamber which should be famous in all ages. Baccio d' Agnolo had carved wonderful coffers, chairs, and bedsteads in walnut wood.
Nevertheless there are not wanting families, who keep a splendid table and live like nobles, such as the Antinori, the Bartolini, the Tornabuoni, the Pazzi, the Borgherini, the Gaddi, the Rucellai, and among the Salviati, Piero d'Alamanno and Alamanno d'Jacopo, and some others.
And whoever wishes to see the best work that he ever did in all his life, in order to consider how able and masterly was Jacopo in giving liveliness to heads, in grouping figures, in varying attitudes, and in beauty of invention, let him look at a scene of some size, likewise in little figures, in the corner on the left hand as one enters through the door, in the chamber of Borgherini, who was a nobleman of Florence; in which scene is Joseph in Egypt, as it were a Prince or a King, in the act of receiving his father Jacob with all his brethren, the sons of that Jacob, with extraordinary affection.
Now Giovan Battista della Palla perceived that by reason of many works the name of Jacopo was becoming every day more celebrated; and, since he had not succeeded in sending to King Francis the pictures executed by that same master and by others for Borgherini, he resolved, knowing that the King had a desire for them, at all costs to send him something by the hand of Pontormo.
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