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Updated: June 14, 2025
A very refined aesthetical education accustoms the imagination to direct itself according to laws, even in its free exercise, and leads the sensuous not to have any enjoyments without the concurrence of reason; but it soon follows that reason, in its turn, is required to be directed, even in the most serious operations of its legislative power, according to the interests of imagination, and to give no more orders to the will without the consent of the sensuous instincts.
Thrale says that he was a close and exacting critic of ladies' dress, even to the accidental position of a riband. He could even lay down aesthetical canons upon such matters. He reproved her for wearing a dark dress as unsuitable to a "little creature." "What," he asked, "have not all insects gay colours?" His insensibility to music was even more pronounced than his dulness of sight.
The Aesthetical Essays in this volume appeared for the most part since 1792, in the "Thalia" and the "Hours" periodicals. The first "On the Ground of our Pleasure in Tragic Subjects" , applies Kantian principles of the sublime to tragedy, and shows Schiller's lofty estimate of this class of poetry.
The interest he takes in the work is either solely moral or exclusively physical; the only thing wanting to it is to be exactly what it ought to be aesthetical.
Therefore, if we bring to bear a moral judgment on this act of Leonidas, we shall consider it from a point of view where its accidental character strikes the eye less than its necessary side. If, on the other hand, we apply the aesthetical judgment to it, this is another point of view, where its character of necessity strikes us less forcibly than its accidental character.
As in reality no purely aesthetical effect can be met with for man can never leave his dependence on material forces the excellence of a work of art can only consist in its greater approximation to its ideal of aesthetic purity, and however high we may raise the freedom of this effect, we shall always leave it with a particular disposition and a particular bias.
On this point taste is even less forgiving than morality, and its tribunal is more severe; because an aesthetical object is responsible even for the accessory ideas that are awakened in us by such an object, while moral judgment eliminates all that is merely accidental.
It was sometimes thought, among their friends, that this young lady had only to decide in order to share the widowed coronet; but Euphrosyne laughed at every thing, even her adorers; and, while her witching mockery only rendered them more fascinated, it often prevented critical declarations. And Lady Beatrice was there, herself an artist, and full of aesthetical enthusiasm.
But even if the moral judgment and the aesthetical judgment were both satisfied, this object would produce this effect on one and the other in quite a different way. It is not morally satisfactory because it has an aesthetical value, nor has it an aesthetical value because it satisfies us morally. Let us take, as example, Leonidas and his devotion at Thermopylae.
Then he would whisper a word to the great Clorinda, who flashed intelligence from her celebrated eyes, and then he made a suggestion to the aesthetical Lady Beatrice, who immediately fell into enthusiasm and eloquence, and took the opportunity of displaying her celebrated hands. The time had now arrived when they were to repair to the studio and view the picture.
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