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Updated: May 31, 2025


Extracted from the Rassegna della Letteratura Siciliana. Went to Greece and the Troad to make up his mind about the topography of the Iliad. The Life and Letters of Dr. His portrait painted by Charles Gogin, now in the National Portrait Gallery. The Authoress of the Odyssey, where and when she wrote, who she was, the use she made of the Iliad and how the poem grew under her hands: MS. at Trapani.

Charles Gogin made an etching for the frontispiece, drew some of the pictures, and put figures into others; half a dozen are mine. They were all redrawn in ink from sketches made on the spot, in oil, water-colour, and pencil.

Alps and Sanctuaries of Piedmont and the Canton Ticino illustrated by the author, Charles Gogin and Henry Festing Jones: an account of his holiday travels with dissertations on most of the subjects that interested him: MS. with H. F. Jones. A new edition of Evolution Old and New, with a short preface alluding to the recent death of Charles Darwin, an appendix and an index.

I saw it and was very much struck with it, but, knowing that I am a little apt to be too sanguine, distrusted my judgment; in the evening I mentioned the picture to Gogin who went and looked at it; finding him not less impressed than I had been with the idea that the work was an early one by Rembrandt, I bought it, and the more I look at it the more satisfied I am that we are right.

The lady seemed to hesitate but, after a minute or so, she knuckled down by his side and we left them kneeling bolt upright from the knees on the hard floor. I always cross myself and genuflect when I go into a Roman Catholic church, as a mark of respect, but Jones and Gogin say that any one can see I am not an old hand at it. How rudimentary is the action of an old priest!

He made a number of friends at Heatherley's, and among them Miss Eliza Mary Anne Savage. There also he first met Charles Gogin, who, in 1896, painted the portrait of Butler which is now in the National Portrait Gallery.

If we had said they had been hatched from the powders he would have certainly believed us. Gogin, the Japanese Gentleman and the Dead Dog Gogin was one day going down Cleveland Street and saw an old, lean, careworn man crying over the body of his dog which had been just run over and killed by the old man's own cart.

He brought back enough to enable him to live quietly, settled for good at 15 Clifford's Inn, London, and began life as a painter, studying at Cary's, Heatherley's and the South Kensington Art Schools and exhibiting pictures occasionally at the Royal Academy and other exhibitions: while studying art he made the acquaintance of, among others, Charles Gogin, William Ballard and Thomas William Gale Butler.

However, Jones was at Gogin's one summer evening and the bells struck up their dingy old burden as usual. The tonic bell on which the tune concluded was the most stuffy and out of tune. Gogin said it was like the smell of a bug. At Eynsford I saw a man painting there the other day but passed his work without looking at it and sat down to sketch some hundred of yards off.

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