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Updated: August 23, 2024
If we admit the justice of Bacon's censure, we admit it with regret, similar to that which Dante felt when he learned the fate of those illustrious heathens who were doomed to the first circle of Hell: "Gran duol mi prese al cuor quando lo 'ntesi, Perocche gente di molto valore Conobbi che 'n quel limbo eran sospesi."
That is in the grand style, and so is the following, which describes those sinners locked in the frozen lake below Malebolge: "Weeping itself there does not let them weep, And grief that finds a barrier in the eyes Turns itself inward to increase the anguish. "Lo pianto stesso li pianger non lascia, E il duol, che trova in sugli occhi rintoppo, Si volve in entro a far crescer l' ambascia."
He wishes to have his recitative in the third act lengthened a couple of lines, which, owing to the chiaro oscuro and his being a good actor, will have a capital effect. For example, after the strophe, "Sei la citta del pianto, e questa reggia quella del duol," comes a slight glimmering of hope, and then, "Madman that I am! whither does my grief lead me?" "Ah! Creta tutta io vedo."
There is passion of the vexed sort, where the tears are frozen to ice as they start. Of the tortured thus, remember "Lo pianto stesso li planger non lascia, E il duol, che trova in su gli occhi rintoppo, Si volve in entro a far crescer l' ambascia." "There may be such people; doubtless there are such people. For me, I find a perpetual outlet in my art." I could not forbear
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