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They are splendid in youth, like Aucassin, whose swooning passion for Nicolette is symbolical of their almost painful desire of beauty. In Hand and Soul, Rossetti tells us of Chiaro dell Erma that "he would feel faint in sunsets and at the sight of stately persons."
What with the oracular dicta of self-constituted arbiters of taste, the discrepancies of popular writers on Art, the jargon of connoisseurship, the vagaries of fashion, the endless theories about color, style, chiaro 'scuro, composition, design, imitation, nature, schools, etc., painting has become rather a subject for the gratification of vanity and the exercise of pedantic dogmatism, than a genuine source of enjoyment and culture, of sympathy and satisfaction, like music, literature, scenery, and other recognized intellectual recreations.
There is a clearness of atmosphere, a strength of chiaro oscuro, a massiveness in the foliage, and a brilliance of contrast, that must make a colourist of any one who has an eye. He must have courage to dip his pencil in shadows black as night, and light that might blind an eagle.
Their conversation ceased to be intelligible to the uninitiated, and they prattled prettily of "chiaro oscuro, French sauce, refraction of the angle of the eye, seventh spinus process, depth and juiciness of color, tender touch, and a good tone."
Across this limited space Italy has transported about 200,000 troops, with the loss of but two transports, the Mari Chiaro and the Umberto, both of which were small. A good part of the Serbian and Montenegrin armies were carried to places where they might recuperate, and a considerable force of her own troops landed on the coast of Albania.
Then your chiaro scuro, my good sir, is very defective; for instance, in nature, the nose, intercepting the light on one side the face, throws, of necessity, a shadow under the eye. Caravaggio, Venetians generally, and the Bolognese masters, do particular justice to this. No such shade appears in this portrait." "'Tis so, stop my vitals!" observed Colley Cibber.
He delighted in architectural paintings, which he represents with the accuracy of a daguerreotype, and a management of perspective, chiaro oscuro, and all the other mysteries of art, such as make his paintings amount to about the same as the reality. Well, here, in this corridor, we had him in full force.
It was not only that he solved certain problems of chiaro oscuro, there were men, like Lievens, who were as eager as he in the study of light and shadow. But Rembrandt brought to his every experiment an independence that startled the average man. He painted well because he saw well. If no one else saw things as he did, the loss was theirs.
I was much amused with that of Milosh, which was painted in oil, altogether without chiaro scuro; but his decorations, button holes, and even a large mole on his cheek, were done with the most painful minuteness.
In a quarter of an hour in came our supper, black bread, fried eggs, and a skein of wine. We fell to; but, alack! what from the smut of the chimney and the dust of the pan, the eggs were done in the chiaro scuro style; the wine had so villanous a twang, that a few sips of it contented me; and the bread, black as it was, was the only thing palatable.
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