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Updated: June 18, 2025
I may mention among the pictures at Charlcote one called a Roman Knight, which seemed to me very fine; Teniers' marriage, in which, contrary to the painter's wont, only persons of distinction are represented, but much in the attitude in which he delights to present his boors; two hawking pieces by Wouvermans, very fine specimens, cum aliis.
Among his finest pictures are 'A View of the Country round Haarlem, in the Museum of the Hague; 'A flat country, with a road leading to a village and fields with wheat sheaves, in the Dresden Gallery; 'A hilly bare country through which a river runs; the horseman and beggar on a bridge, by Wouvermans, in the Louvre. His most remarkable waterfall is in the Hague Museum.
But really I am quite ashamed of having detained you in such bad company so long; and, had I a moment to spare, you should be introduced to a better set in this gallery, where some of the most exquisite Berghems and Wouvermans I ever beheld would delight you for hours.
A curtain hangs before the pre-Raphaelite portrait; and the blue mold which artists dread gathers upon the Wouvermans and Poussins, the Cuyps and Tintorettis. The house is often shown to inquisitive visitors, though the baronet is not informed of that fact, and people admire my lady's rooms, and ask many questions about the pretty, fair-haired woman who died abroad.
Among the older authors there were some who offered melancholy spectacles of mental exhaustion; and the practised reader knows how to look for particular features in their work, just as he looks for Wouvermans' white horse and Beaumont's brown tree.
Why precipitate another into the gulf of being?" "Consort with men whose ideal hovers between a stable boy and a veterinary surgeon;" and then, amused by the paradox, John, to whom the chase was evocative of forests, pageantry, spears, would quote some stirring verses of an old ballad, and allude to certain pictures by Rubens, Wouvermans, and Snyders. "Why do you talk in that way?"
The most serious work yet written on composition, Burnet’s “Light and Shade,” was penned at a time when the influence of old masters held undisputed sway. The thought of that day in syllogism would run as follows: The work of the Old Masters in its composition is beyond reproach. Botticelli, Raphael, Paul Potter, Wouvermans, Cuyp, Domenichino, Dürer, Teniers et al., are Old Masters.
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