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Updated: May 9, 2025
“Herr Mops, der um das dritte Wort Empfindsamkeit im Munde führet, Und wenn ein Grashalm ihm verdorrt, Gleich einen Thränenstrom verlieret . . . . . . . . Mit meinem Weibchen thut er schier Gleich so bekannt wie ein Franzose; All’ Augenblicke bot er ihr Toback aus eines Bettlers Dose Mit dem, am Zaun in tiefem Schlaf Er einen Tausch wie Yorik traf.
Shortly after the failure of his concert tour, desperation goaded him to set forth again. He writes again to his Herzens Weibchen or his Herzaller-liebstes with renewed hope: "I am quite determined to do the best I can for myself here, and shall then be heartily glad to return to you. What a delightful life we shall lead!
This is the sixth day that I have been absent from you, and, by heavens! it seems to me a year. Love me as I shall ever love you. I send you a million of the most tender kisses, and am ever your fondly loving husband." Again three days, and we find him writing at midnight to his "liebstes bestes Weibchen" an account of his activities: "After the opera we went home.
When he was called away from home early, before she was awake, he would leave such a note for her as this: "Guten Morgen, liebes Weibchen, Ich wünsche, dass Du gut geschlafen habest" etc., or, as it runs in English: "Good morning, my darling wife!
Or Victoria would come and read to him "Peveril of the Peak," and he showed that he could follow the story, and then she would bend over him, and he would murmur "liebes Frauchen" and "gutes Weibchen," stroking her cheek. Her distress and her agitation were great, but she was not seriously frightened.
Once more a concession to the buffoon occurs in a melody "Ein Mädchen oder Weibchen," which would be commonplace but for Mozart's treatment of the simple air.
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