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Cézanne, of course, created far greater things than any Impressionist painter; and Gaugin, Van Gogh, Matisse, Rousseau, Picasso, de Vlaminck, Derain, Herbin, Marchand, Marquet, Bonnard, Duncan Grant, Maillol, Lewis, Kandinsky, Brancuzi, von Anrep, Roger Fry, Friesz, Goncharova, L'Hôte, are Rolands for the Olivers of any other artistic period.

The very acute discernment of Maurice Vlaminck that "intelligence is international, stupidity is national, art is local" is a valuable deduction to make, and applies in the two latter instances as admirably to America as to any other country. Our national stupidity in matters of esthetic modernity is a matter for obvious acceptance, and not at all for amazement.

About the best known of Matisse's companions for they were in no sense his disciples were, I should say, Friesz, Vlaminck, Laprade, Chabaud, Marquet, Manguin, Puy, Delaunay, Rouault, Girieud, Flandrin. I think I am justified in describing all these, with the exception, perhaps, of Girieud and Flandrin, as Fauves; assuredly I have heard them all so described.

It included such names as Derain, Picasso, Vlaminck, Marchand, Friesz, Maillol, Duncan Grant: one need not be laudator temporis acti to feel that the men of the new generation are on a smaller scale. This merely confirms my often expressed notion that the decade 1875-85 produced a prodigious quantity of greatly gifted babies.

And though Duncan Grant holds his own handsomely with Marchand, Vlaminck, Lhote, de Segonzac, Bracque and Modigliani, I am not yet prepared to class him with Matisse, Picasso, Derain, and Bonnard. Having bravely recognized this disagreeable truth, let us take as much interest in contemporary British painting as we can.

Vlaminck a few years ago had the misfortune to learn a recipe for making attractive and sparkling pictures; he is now, I understand, in retirement trying to unlearn it. Rouault is a very interesting artist of whom we see little; from what I have seen I should be inclined to fear that a taste for romance and drama is too often suffered to smother his remarkable gift for painting.

Picasso, Derain, Matisse, and Vlaminck began picking up such pieces as they could find in old curiosity and pawn shops; with Guillaume Apollinaire, literary apostle, following apostolically at their heels. Thus a demand was created which M. Paul Guillaume was there to meet and stimulate.