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Updated: June 25, 2025
Next to Niccolo da Uzzano in authority, were Bartolomeo Valori, Neroni di Nigi, Rinaldo degli Albizzi, Neri di Gino, and Lapo Niccolini.
Niccolo da Uzzano did not fail to acquaint the other citizens with the matter, explaining to them how dangerous it was to aggrandize one who possessed so much influence; that it was easy to remedy an evil at its commencement, but exceedingly difficult after having allowed it to gather strength; and that Giovanni possessed several qualities far surpassing those of Salvestro.
Nicolò da Uzzano, his cotemporary, who was accounted well versed in all civil affairs, but who had made a first mistake in not discerning the dangers which might grow from the rising influence of Cosimo, would never while he lived, permit a second mistake to be made in attempting to crush him; judging that such an attempt would be the ruin of the State, as in truth it proved after his death.
As commonly happens, fear was the most powerful, and they consented, after the capture of Uzzano, that the count should go into Lombardy.
S. Stefano, although it is now so easily overlooked, was of importance in its day, and it was here that Niccolò da Uzzano, the leader of the nobles, held a meeting to devise means of checking the growing power of the people early in the fifteenth century and was thwarted by old Giovanni de' Medici.
After the S. George and the bronze David, the two most memorable things are the adorable bronze Amorino in its quaint little trousers or perhaps not Amorino at all, since it is trampling on a snake, which such little sprites did not do and the coloured terra-cotta bust called Niccolò da Uzzano, so like life as to be after a while disconcerting.
Niccolo da Uzzano who, among others, replied to it, said, "All that Rinaldo had advanced was correct, and the remedies he proposed good and certain, if they could be adopted without an absolute division of the city; and this he had no doubt would be effected if they could induce Giovanni de' Medici to join them; for with him on their side, the multitude being deprived of their chief and stay, would be unable to oppose them; but that if he did not concur with them they could do nothing without arms, and that with them they would incur the risk of being vanquished, or of not being able to reap the fruit of victory."
The latter favored the party of Niccolo da Uzzano, the former that of Giovanni; and Rinaldo, seeing Giovanni unwilling to join them, thought it would be advisable to deprive Ser Martino of his office, that he might have the palace more completely under his control.
The palace was begun in 1430 abd was still in progress in 1433 when the Albizzi, who had always viewed the rise of the Medici family with apprehension and misgiving, and were now strengthened by the death of Niccolò da Uzzano, who, though powerful, had been a very cautious and temperate adviser, succeeded in getting a majority in the Signoria and passing a sentence of banishment on the whole Medici tribe as being too rich and ambitious to be good citizens of a simple and frugal Republic.
In S. Trinita, in the Chapel of Neri Compagni, he painted in fresco the life of S. Giovanni Gualberto; and, in the principal chapel of S. Lucia in the Via de' Bardi, some scenes in fresco of the life of that Saint, for Niccolò da Uzzano, who was portrayed by him there from the life, together with some other citizens.
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