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Updated: June 5, 2025
But I saw him collapse as his master rubbed me out with his hands, and my first decided experience of the stupendous power of money was, that it had morally laid upon his back Trabb's boy. After this memorable event, I went to the hatter's, and the bootmaker's, and the hosier's, and felt rather like Mother Hubbard's dog whose outfit required the services of so many trades.
It is life; it is the joy of life felt by those who have nothing else but life. It is the thing that all aristocrats have always hated and dreaded in the people. And it is the thing which poor Pip really hates and dreads in Trabb's boy. A great man of letters or any great artist is symbolic without knowing it. The things he describes are types because they are truths.
It was tempting to think of that expensive Mercenary publicly airing his boots in the archway of the Blue Boar's posting-yard; it was almost solemn to imagine him casually produced in the tailor's shop, and confounding the disrespectful senses of Trabb's boy.
Thackeray would have given us little light touches of Trabb's boy, absolutely true to the quality and colour of the humour, just as in his novels of the eighteenth century, the glimpses of Steele or Bolingbroke or Doctor Johnson are exactly and perfectly true to the colour and quality of their humour.
The scene in which Trabb's boy continually overtakes Pip in order to reel and stagger as at a first encounter is a thing quite within the real competence of such a character; it might have been suggested by Thackeray, or George Eliot, or any realist. But the point with Dickens is that there is a rush in the boy's rushings; the writer and the reader rush with him.
They start with him, they stare with him, they stagger with him, they share an inexpressible vitality in the air which emanates from this violent and capering satirist. Trabb's boy is among other things a boy; he has a physical rapture in hurling himself like a boomerang and in bouncing to the sky like a ball.
Trabb's boy Trabb's overgrown young man now went before us with a lantern, which was the light I had seen come in at the door. But, the moon was a good two hours higher than when I had last seen the sky, and the night, though rainy, was much lighter. The white vapor of the kiln was passing from us as we went by, and as I had thought a prayer before, I thought a thanksgiving now.
George Eliot in her earlier books would have given us shrewd authentic scraps of the real dialect of Trabb's boy, just as she gave us shrewd and authentic scraps of the real talk in a Midland country town. In her later books she would have given us highly rationalistic explanations of Trabb's boy; which we should not have read.
"Are you bringing numbers five and eight, you vagabond," said Mr. Trabb to the boy after that, "or shall I kick you out of the shop and bring them myself?" I selected the materials for a suit, with the assistance of Mr. Trabb's judgment, and re-entered the parlor to be measured. For although Mr.
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