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Updated: May 15, 2025
Since these lowest things of nature which form the lands are dead, and are not changeable and varying according to states of affections and thoughts, as in the spiritual world, but unchangeable and fixed, therefore in nature there are spaces and spatial distances. There are such things, because creation has there terminated, and abides at rest.
It may also be located in some spatial element of the instantaneous space of that moment.
An esthetic image is presented to us either in space or in time. What is audible is presented in time, what is visible is presented in space. But, temporal or spatial, the esthetic image is first luminously apprehended as selfbounded and selfcontained upon the immeasurable background of space or time which is not it. You apprehended it as ONE thing. You see it as one whole.
Let this much be said here, that number in the universe has quite different functions from that of serving merely as an expression for a total of calculable items, or as a means of comparing spatial distances.
Exploding matter bombs had twice caused such spatial strains and ionized conditions as to come near closing it, but finally the Thessian fleet had arranged a ring of ships about the hole, and opened a cylinder of rays that reached down to the planet. Like some gigantic plow the rays tore up mountains, oceans, glaciers and land. Tremendous chasms opened in straight lines as it plowed along.
Sometimes it consists in the perception of super-physical phenomena the unfurling of a strange and wonderful land; and again it appears to be a higher power of ordinary vision, a kind of seeing to which the opacity of solids offers no impediment, or one involving spatial distances too great and too impeded for normal physical vision to be effective.
Hildebrand's treatment is difficult, and lends itself to varying interpretations, which have laid stress now on unity as the essential of art,<1> now on "the joy in the complete sensuous experience of the spatial."<2> The latter seems in harmony with the passage in which Hildebrand says "all pleasure in Form is pleasure in our not being obliged to create this clearness for ourselves, in its being created for us, nay, even forced upon us, by the form itself."
In the scientific picture of molecules constituting a physical body, of atoms constituting the molecules, of electrons, protons, etc., constituting the atoms, all separated by spaces far exceeding the size of the elementary particles themselves, we find reflected, in a form comprehensible to the onlooker-consciousness, the fact that matter, even in the solid state, is kept in spatial extension by a field of force relating it to the cosmic periphery.
Thus a point has three characters, namely, its position in the whole instantaneous space, its extrinsic character, and its intrinsic character. The same is true of any other spatial element.
Rather must it be said that we were not prepared to deny the possibility of certain unfamiliar and unclassified modifications of vital force and attenuated matter; existing very infrequently in three-dimensional space because of its more intimate connection with other spatial units, yet close enough to the boundary of our own to furnish us occasional manifestations which we, for lack of a proper vantage-point, may never hope to understand.
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