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I cannot bring myself to regard literature as a craft, to me it is a sacred mission; and in hearing this "sovereign" boast of the tricks by which he maintains his state, I seem to listen to a priest who treats as imposture the religion he professes to teach. M. Savarin's favourite eleve now is a young contributor to his journal, named Gustave Rameau.
"No; we met her for the first time some weeks ago at M. Savarin's." "Was she very eloquent on the rights of women?" "What! you have heard her on that subject?" "I have rarely heard her on any other, though she is the best and perhaps the cleverest friend I have at Paris; but that may be my fault, for I like to start it.
The whole episode is told in Savarin's happiest vein, and well-nigh justifies his somewhat complacent conclusion that "any one who, with a revolutionary committee at his heels, could so conduct himself, assuredly has the head and the heart of a Frenchman!"
Monsieur Savarin's piquant criticisms were most valuable to us at starting. I regret to have lost his aid. But as he has set up a new journal of his own, even he has not wit enough to spare for another. A propos of our contributors, I shall ask you to present me to the fair author of The Artist's Daughter.
I spare you his epigrams on Dumas and Victor Hugo and my beloved Lamartine. Though his talk was showy, and dazzled me at first, I soon got rather tired of it, even the first time we met. Since then I have seen him very often, not only at M. Savarin's, but he calls here at least every other day, and we have become quite good friends.
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