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As he looked at the young man still leaning back in the leather chair, there seemed for the instant to flicker up behind him some vague presentiment of that foul old dandy with his dangling seals, many-wreathed scarf, and dark satyric face. What was he now? An armful of bones in a mouldy box. But his deeds they were living and rotting the blood in the veins of an innocent man.
I suppose Mother Church is fully cognizant of the true state of affairs, and thinks men already sufficiently Satyric, but woman must be ground down as much as possible, or the world will not be fended off. And ground down they are in body and soul. O Mother Church! as I look upon these nuns, I do not love you. You have done many wise and right deeds.
A little satire upon the travelling English seems, by the way, to be as agreeable at Copenhagen as at Paris. Our Danish friends are quite welcome to it; we only wish for their sakes that, in the present instance, it had been a little more lively and pungent. Our Hans Andersen is too weak in the wrist, has not arm strong enough "to crack the satyric thong."
At the end of the Symposium Plato represents Socrates as convincing both Agathon, a tragedian, and Aristophanes that the writer of tragedy will be able to write comedy also. That the two forms are not wholly divorced is clear from the history of ancient drama itself: Each dramatist competed with four plays, three tragedies and a Satyric drama.
As neither the popular taste nor the ancient religious associations connected with the festivals of Dionysus would have permitted the chorus of Satyrs to be entirely banished from the tragic representations, Pratinas avoided this by the invention of what is called the Satyric drama; that is, a species of play in which the ordinary subjects of tragedy were treated in a lively and farcical manner, and in which the chorus consisted of a band of Satyrs in appropriate dresses and masks.
The play is an avowed and solitary attempt to revive the 'satyric' drama of the Greeks, a kind of which the Cyclops of Euripides is the only extant example. The action is simple.
Similar in plot to this last is a fragmentary pastoral of Giraldi Cintio's published from manuscript by Signor Carducci. Another curious but isolated experiment is Cintio's Egle, in intent a revival of the 'satyric' drama of the Greeks, in substance a dramatization of the motive of Sannazzaro's Salices.
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