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Updated: June 8, 2025
It can hardly be presumed that when the saga-man in this connection calls the king's sword "Gullinhjalti," he has for the moment forgotten that the name of Hrolf's famous sword is Skofnung. Nor is it in conflict with the description of Skofnung that Gullinhjalti is given a supernatural quality. Skofnung also has a supernatural quality.
They merely expressed the thought that came to their minds; and they were palpably wrong when they said that it "was advancing rapidly." But it is an exquisite touch on the part of the saga-man to have the warders utter these words. They got one view of the monster and hastened back.
Certain features of the life of Bjarki mentioned above, such as his bravery, strength, his being in the service of Hrolf Kraki, his killing a fierce beast, and slaying Agnar, the saga-man found ready to his hand; but not the renunciation of his kingdom. Earldoms and kingdoms are not renounced "for light and transient causes." But when Bjarki renounced his kingdom, it was altogether unmotivated.
And then the blue-eyed Norseman told A Saga of the days of old. "There is," said he, "a wondrous book Of Legends in the old Norse tongue, Of the dead kings of Norroway Legends that once were told or sung In many a smoky fireside nook Of Iceland, in the ancient day, By wandering Saga-man or Scald; 'Heimskringla' is the volume called; And he who looks may find therein The story that I now begin."
A dragon was as terrible a creature as one could imagine; a troll was also as terrible a creature as one could imagine. But the saga-man has introduced into his story a being that combines the characteristics of both. Hott knew that the monster possessed this dual nature, for it is from him that the author lets the statement proceed, "That is no beast, it is rather the greatest troll."
And when the saga-man transformed the story into one of this type, he did it with the conscious purpose of providing a story that would enable him to let Bjarki take Hott out secretly at night, kill the dragon, compel Hott to eat of its heart and drink of its blood, put Hott's newly acquired strength to the test, prop the dead dragon up in a living posture, thus paving the way for further developments, and then return to the hall all unseen and without arousing a breath of suspicion.
The witches are so conspicuous a feature of the Macbeth story that they would, of course, attract the attention of the saga-man; and we naturally expect this feature of the story to leave its impress on the Hroar-Helgi story. It is a special feature, not found in any of the other stories considered in this connection, and there can be no doubt as to whence the Hroar-Helgi story acquired it.
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