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In fine, she defended herself with such spirit and vigour as completely damped Rodolfo's ardour. Without saying a word he left the room, locked the door behind him, and went in quest of his companions, to consult them as to what he should do.

Elvino is convinced of her innocence, and they are wedded at once, while the discovery of Lisa's handkerchief in Rodolfo's room pronounces her the faithless one.

When she came to her senses, and, blushing to find herself in Rodolfo's arms, would have disengaged herself, "No, señora," he said, "that must not be; strive not to withdraw from the arms of him who holds you in his soul."

Such is the simple little pastoral story to which Bellini has set some of his most beautiful melodies, the most striking of which are the aria, "Sovra il sen," in the third scene of the first act, where Amina declares her happiness to Teresa; the beautiful aria for barytone in the sixth scene, "Vi ravviso," descriptive of Rodolfo's delight in revisiting the scenes of his youth; the playful duet between Amina and Elvino, "Mai piu dubbi!" in which she rebukes him for his jealousy; the humorous and very characteristic chorus of the villagers in the tenth scene, "Osservate, l'uscio è aperto," as they tiptoe into Rodolfo's apartment; the duet, "O mio dolor," in the next scene, in which Amina asserts her innocence; the aria for tenor in the third scene of the second act, "Tutto e sciolto," in which Elvino bemoans his sad lot; and that joyous ecstatic outburst of birdlike melody, "Ah! non giunge," which closes the opera.

Alas, too well I perceive that you cannot hear me, and that I am in the hands of enemies. Well would it be for me if this darkness were to last for ever, and my eyes were never more to see the light! Whoever thou art," She exclaimed, suddenly seizing Rodolfo's hand, "if thy soul is capable of pity, grant me one prayer: having deprived me of honour, now deprive me of life.

Rodolfo's two comrades proposed to take leave of him at once, and retire to their own homes; but Estafania would not suffer them to depart, for their presence was needful for the execution of a scheme she had in her head.

I leave it to a more ingenious pen than mine to describe the gladness of all present; the embraces bestowed on Rodolfo by Leocadia's parents; the thanks they offered to Heaven, and to his father and mother; the congratulations on both sides; the astonishment of Rodolfo's companions who saw him so unexpectedly married to so charming a bride on the very night of his arrival; and above all, when they learned from the statement openly made by Doña Estafania, that Leocadia was the very person whose abduction her son had effected with their aid.