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It was a square room wainscotted in the Empire style with white wood. On the walls were engravings and pictures of very poor selection, among them "Mary Stuart listening to Rizzio," by the painter Ducis. Around the room was a sideboard. In the middle was a long table with rounded ends at which about fifteen guests were seated. Conti, mother of the Representative, on his left.
But Ruthven came back, paler than at first, and at Darnley's inquiry if Rizzio were dead, he nodded in the affirmative; then, as he could not bear further fatigue in his convalescent state, he sat down, although the queen, whom Darnley had at last released, remained standing on the same spot. At this Mary could not contain herself.
Better for her had she taken with Darnley the direct way that was her right. Better for her, if acting strongly then, she had banished or hanged him for his part in the treason that had inspired the murder of Rizzio. Unfortunately, a factor that served to quicken her abhorrence of him served also to set a curb of caution upon the satisfaction of it.
It is true that he came to her under the auspices of a man whose influence was as striking as the risen fortune which gave him the opportunity to exert it. We refer to David Rizzio.
There was a speedy sheathing of weapons at the king's command; for those who had hitherto been brandishing them in loyal bravado, began thereby to call to mind the extreme dislike which his Majesty nourished against naked steel, a foible which seemed to be as constitutional as his timidity, and was usually ascribed to the brutal murder of Rizzio having been perpetrated in his unfortunate mother's presence before he yet saw the light.
They told her, that they intended no violence against her person; but meant only to bring that villain, pointing to Rizzio, to his deserved punishment. Rizzio, aware of the danger, ran behind his mistress, and seizing her by the waist, called aloud to her for protection; while she interposed in his behalf, with cries, and menaces, and entreaties.
So Mary had remained shut up with Rizzio, and Darnley, who had gone to the secret door several times, could hear the sound of instruments and the voice of the favourite, who was singing those sweet melodies which have come down to our time, and which Edinburgh people still attribute to him.
There is not a doubt that what you have seen is the murder of Rizzio by the Scottish nobles in the presence of Mary, which occurred in March, 1566. Your description of the woman is accurate. The high forehead and heavy eyelids combined with great beauty could hardly apply to two women. The tall young man was her husband, Darnley.
Mary was at supper with six persons, having, say de Thou and Melville, Rizzio seated on her right; while, on the contrary, Carapden assures us that he was eating standing at a sideboard.
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