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Updated: May 4, 2025


And so, too, the Most Reverend Patriarch of Jerusalem, formerly Bishop of Cesena, with whom he has often conversed familiarly, as one whose open and liberal nature much pleased him. He had also a close friendship with my Most Reverend patron, the Cardinal Ridolfi, of happy memory, the refuge of all men of talent.

The present church of San Giovanni dei Fiorentini, in Strada Giulia, is the work of Giacomo della Porta; the west part is by Alessandro Galilei. Tiberio Calcagni was appointed to finish the bust of Brutus, now in the Bargello at Florence. Michael Angelo began it for Cardinal Ridolfi at the request of his friend, Donato Giannotti.

Ridolfi, as the agent of the conspirators, appeared at Rome and laid before Pius their plans for the marriage of Norfolk and Mary, the union of both realms under the Duke and the Scottish Queen, and the seizure of Elizabeth and her counsellors at one of the royal country houses. Pius backed the project with his warm approval, and Ridolfi hurried to secure the needful aid from Philip of Spain.

The Governor took occasion, likewise, to express his regrets at the awkward manner in which the Ridolfi scheme had been managed. Had he been consulted at an earlier day, the affair could have been treated much more delicately; as it was, there could be little doubt but that the discovery of the plot had prejudiced the mind of Elizabeth against Spain.

Sebastian, preceding the definitive work, showed the saint tied not to a tree, but to a column, and in it the group of St. Roch and the Angel was replaced by the figures of two archers shooting. Ridolfi, followed in this particular by Crowe and Cavalcaselle, sees in the upturned face of the St. Nicholas a reflection of that of Laocoon in the Vatican group.

And two quite different legends concerning it agree in this, that it was through this lady he came by his death: Ridolfi relating that, being robbed of her by one of his pupils, he died of grief at the double treason; Vasari, that she being secretly stricken of the plague, and he making his visits to her as usual, he took the sickness from her mortally, along with her kisses, and so briefly departed.

The Duke of Alva, at the time of the Ridolfi plot, had pointed out as a desirable preliminary, if the invasion was to succeed, the assassination of the Queen of England.

One Ridolfi, a Florentine, long resident in England, had been sent to the Netherlands as secret agent of the Duke of Norfolk. Alva read his character immediately, and denounced him to Philip as a loose, prating creature, utterly unfit to be entrusted with affairs of importance.

Thus much he had stated to Ridolfi, but he had informed his council afterwards that he was determined to carry out the scheme by certain means of which the Duke would soon be informed. The end proposed was to kill or to capture Elizabeth, to set at liberty the Queen of Scotland, and to put upon her head the crown of England.

It was their friends who had contrived this: would not Florentines be moved by the visible association of such cruel ignominy with two venerable men like Bernardo del Nero and Niccolo Ridolfi, who had taken their bias long before the new order of things had come to make Mediceanism retrograde with two brilliant popular young men like Tornabuoni and Pucci, whose absence would be felt as a haunting vacancy wherever there was a meeting of chief Florentines?

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