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Updated: May 4, 2025
Now comes the best evidence of Raaff's regard for me, and the sincere interest he takes in my welfare: it is, that he imparts his intentions rather to those whom he can trust than to those more immediately concerned, being unwilling to promise without the certainty of a happy result. This is what Kymli told me.
Let each occupy his proper place. I fancy that bravura singing was once his forte, which is even still perceptible in him, and so far as age admits of it he has a good chest and a long breath; and then his andantino! His voice is fine and very pleasing; if I shut my eyes and listen to him, I think his singing very like Meissner's, only Raaff's voice seems to me more agreeable.
I wish you to get my black suit thoroughly brushed to make it as wearable as possible, and forward it to me by the first diligence; for next week every one must be in mourning, and I, though constantly on the move, must cry with the others. With regard to Raaff's last aria, I already mentioned that we both wish to have more touching and pleasing words.
I at first intended this aria for Raaff; but the beginning seemed to me too high for Raaff's voice, but it pleased me so much that I would not alter it; and from the orchestral accompaniment, too, I thought it better suited to a soprano. I therefore resolved to write it for Madlle. Weber. I laid it aside, and took the words "Se al labbro" for Raaff.
I could not write before, having been so incessantly occupied with those confounded dances. Laus Deo, I have got rid of them at last, but only of what was most pressing. The rehearsal of the third act went off admirably. It was considered very superior to the second act. Raaff's last air, too, is still more regretted, but we must make a virtue of necessity.
The ensuing rehearsal will probably take place in the theatre. A propos, Becke told me, a day or two ago, that he had written to you about the last rehearsal but one, and among other things had said that Raaff's aria in the second act is not composed in accordance with the sense of the words, adding, "So I am told, for I understand Italian too little to be able to judge."
Now I am in a difficulty with regard to Raaff's last air, and you must help me out of it. He cannot digest the rinvigorir and ringiovenir, and these two words make the whole air hateful to him. It is true that mostrami and vienmi are also not good, but the worst of all are the two final words; to avoid the shake on the i in the first word rinvigorir, I was forced to transfer it to the o.
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