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Updated: May 3, 2025
Donna Serafina remained motionless as if she had not even heard him, and Benedetta made a gesture which seemed to imply that she had neither pity nor hatred to express for a man who had become a perfect stranger to her. However, she no longer laughed, but, thinking of the little basket which had travelled in Prada's carriage, she said: "Ah!
And would both the uncle and the nephew eat the figs, or would only one of them partake of the fruit, and which of them would that be? At this point Prada's clearness of vision failed him; again he conjured up Destiny on the march, that Destiny which he had met on the road from Frascati, going on towards its unknown goal, athwart all obstacles without possibility of stoppage.
Prada's eyes, they had become so despairing, so full of the most touching and weightiest things, that the priest could read in them all the decisive reasons which were about to stay his tongue. No, no, he would not strike an innocent old man, he had promised nothing, and to obey the last expression of the dead woman's hatred would have seemed to him like charging her memory with a crime.
And Pierre fairly gasped when he beheld the Palazzo delle Finanze, or Treasury, a gigantic erection, a cyclopean cube with a profusion of columns, balconies, pediments, and sculptured work, to which the building mania had given birth in a day of immoderate pride. And on the other side of the street, a little higher up, before reaching the Villa Bonaparte, stood Count Prada's little palazzo.
Prince Onofrio, after adopting Prada's advice and selling the Villa Montefiori to a financial company for ten million lire,* had, instead of prudently keeping his money in his pockets, succumbed to the fever of speculation which was consuming Rome.
But Benedetta gazed at him fixedly, aware as she was of Prada's frequent visits to the land and houses which he owned at Frascati; and suddenly she murmured: "Somebody, somebody, it was the Count, was it not?" "Yes, madame, the Count," Pierre answered. "I saw him again last night; he was overcome, and really deserves to be pitied."
But Benedetta gazed at him fixedly, aware as she was of Prada's frequent visits to the land and houses which he owned at Frascati; and suddenly she murmured: "Somebody, somebody, it was the Count, was it not?" "Yes, madame, the Count," Pierre answered. "I saw him again last night; he was overcome, and really deserves to be pitied."
More distressed than ever, Neyen implored Prada's assistance, but Prada plunged him into still deeper despair. His Majesty, said that counsellor, with matchless effrontery, was studying the propositions of the States-General, and all the papers in the negotiation, line by line, comma by comma. There were many animadversions to make, many counter suggestions to offer.
Why, that is Count Prada's inamorata, the charming Lisbeth Kauffmann, by whom he has just had a son. It's her first appearance in society since that event. She's a German, you know, and lost her husband here. She paints a little; in fact, rather nicely.
But, on the other hand, he claimed to be a man of integrity, and would assuredly not allow people to be poisoned. Pierre, who was compassionately inclined towards all creation, looked at the hen with the emotion which he always felt at the sudden severance of life. However, he at once accepted Prada's story. "Ah! those fowls!" said he.
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