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Omar Khay'am, the poet-prophet of Persia, writing more than eight hundred years ago, has said: "In the four parts of the earth are many that are able to write learned books, many that are able to lead armies, and many also that are able to govern kingdoms and empires; but few there be that can keep a hotel."

"The maidens came, they talked, they sang, they read; till she not fair began to gather light, and she that was became her former beauty treble" sang in prophecy, sixty years before, the greatest of poets and the poet-prophet of Woman's Emancipation.

The story relates the kindling of a nation to freedom at the cry of a young poet-prophet, the temporary triumph of the good cause, the final victory of despotic force, and the martyrdom of the hero, together with whom the heroine falls a willing victim.

All these things do not much affect the question of Rosas as a ruler and his place in history. Time, the old god, says the poet, invests all things with honour, and makes them white. The poet-prophet is not to be taken literally, but his words so undoubtedly contain a tremendous truth. And here, then, one may let the question rest.

Such enterprise is too great for all but the greatest, and amongst these may possibly be classed the poet-prophet of Israel, Isaiah, the writers of some of the Vedic hymns and Hebrew psalms, and Jesus of Nazara, whose soul was full of music, and whose thinking and preaching will probably fill the thoughts of man throughout all time.

And surely what poetry, pathos, and eloquence, what simplicity and beauty, what rich and varied lessons of human experience, what treasures of moral wisdom, are revealed in that little book! How sublimely the poet-prophet narrates the misery of the Fall, and the promised glories of the Restoration!

If the poet-prophet would tell the story of creation or redemption, he was thus restrained not only by the general outline and imagery of the Bible, but by its very words. And here we must note the skill of the poet in surmounting an added or artificial difficulty, in the subject he had chosen as combined with his notion of inspiration.

So in England, Wordsworth opened this last cycle of poetry; coming when there was a clear atmosphere, and speaking more or less clearly through it his message from the Gods. You hear a like radiant note of hope in Shelley; and something of it in Keats, who stood on the line that divides the Poet-Prophet from the Poet-Artist.

As is usual in the Bible, the shepherd is portrayed with special honour, whether he calls out his neighbours to frighten away the lion from his flock or is seen gathering the lambs in his arms and carrying them in his bosom. But most of all does the poet-prophet love to linger in the vineyard, marking accurately all the operations of the vine-dresser and all the stages of the growth of the vines.

Omar Khay'am, the poet-prophet of Persia, writing more than eight hundred years ago, has said: "In the four parts of the earth are many that are able to write learned books, many that are able to lead armies, and many also that are able to govern kingdoms and empires; but few there be that can keep a hotel."