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It was a long distance from Balzac's idealism to the realism of Moisson, which awakened in me memories of the stories and melodramas of Ducray-Duminil, of Guilbert de Pixérecourt "Alexis, ou la Maisonette dans les Bois," "Victor, ou l'Enfant de la Forêt," and many others of the same date and style so much discredited nowadays.

Rinaldo hovers behind the scenes of a plot we do not know, but which must be as full of incident as a melodrama by Pixerecourt. Or we can imagine Rinaldo crossing the stage in the background like a figure in one of Victor Hugo's plays." "He, perhaps, is the husband," exclaimed Madame de la Baudraye. "Do you understand anything of it all?" Madame Piedefer asked of the Presidente.

"Often lost, always spoiled," said Charles Nodier, "such is the fate of every book one lends." The Parisian collector, Guibert de Pixerecourt, would lend no books at all to his dearest friends. His motto, inscribed above the lintel of his library-door, was, "Go to them that sell, and buy for yourselves."

Rinaldo hovers behind the scenes of a plot we do not know, but which must be as full of incident as a melodrama by Pixerecourt. Or we can imagine Rinaldo crossing the stage in the background like a figure in one of Victor Hugo's plays." "He, perhaps, is the husband," exclaimed Madame de la Baudraye. "Do you understand anything of it all?" Madame Piedefer asked of the Presidente.

As for Pixerecourt, whose fame lasted until the Romantic drama of the older Dumas, Alfred de Vigny, and Victor Hugo eclipsed it, he wrote over a hundred plays, each of which was performed some five hundred times, while two at least ran for more than a thousand nights.

But if hard pressed and in a strait, he would make his friend a gift of the book which was necessary to his studies. This course had the effect of preventing people from wishing to borrow. But many of the great collectors have been more generous than Pixerecourt.

The novelists and dramatists whom Balzac made earliest acquaintance with were probably those whose works were appearing and attracting notice during his school-days Pigault-Lebrun, Ducray-Duminil, and that Guilbert de Pixerecourt who for a third of the nineteenth century was worshipped as the Corneille of melodrama.

There remained the serious comedy or tragedy of everyday life, where we see fathers of families afflicted, servants saving their masters, rich men offering others their fortunes, innocent seamstresses and villainous corrupters, a species which extends from Diderot to Pixérécourt. All these plays preaching about virtue disgusted them by their triviality.