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Near the top the sides show bands of colour, red, yellow, green and blue, almost as bright in the original as on the day the paints were mixed, one thousand years ago. Beneath the bands upon one side you will see the signet-ring of the priest-King Pinotem whose son Queen Isi em Kheb espoused ; also the royal asps and the scarab, the emblem of life out of death.
They were attached to each side of the wig upon the head of the mummy. The bracelets of the High Priest Pinotem III., found upon his mummy, are mere round rings of gold incrusted with pieces of coloured glass and carnelian, like those still made by the Soudanese blacks.
Man weaving hangings, or carpet. The canopy of Deir el Baharî was made for the Princess Isiemkheb, daughter of the High Priest Masahirti, wife of the High Priest Menkheperra, and mother of the High Priest Pinotem III. The centrepiece, in shape an oblong square, is divided into three bands of sky-blue leather, now faded to pearl-grey. The two side-pieces are sprinkled with yellow stars.
The papyri of the princes and princesses of the family of Pinotem in the Museum of Gizeh show that the best traditions of the art were yet in force at Thebes in the time of the Twenty-first Dynasty. Under the succeeding dynasties, that art fell into rapid decadence, and during some centuries the drawings continue to be coarse and valueless.
On the right, scarabaei with extended wings alternate with the cartouches of King Pinotem II., and are surmounted by a lance-head frieze. In the centre we see a bunch of lotus lilies flanked by royal cartouches. Next come two antelopes, each kneeling upon a basket; then two bouquets of papyrus; then two more scarabaei, similar to those upon the other border.
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