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Updated: June 18, 2025


He was undoubtedly an attractive character, for he enjoyed the favour of the most distinguished men and women of his time. He was also a poet of real power: ease and facility are characteristics of his poems as compared with the ingenious obscurity of Arnaut Daniel or Peire d'Auvergne.

The following stanzas from the well-known hymn to the Virgin by Peire de Corbiac, will give an idea of the character of this poetry. "Lady, rose without thorn, sweet above all flowers, dry rod bearing fruit, earth bringing forth fruit without toil, star, mother of the sun, nurse of thine own Father, in the world no woman is like to thee, neither far nor near.

With terrible sincerity, let it be repeated: for the service of domnei was never, as some would affect to interpret it, a modish and ordered affectation; the histories of Peire de Maenzac, of Guillaume de Caibestaing, of Geoffrey Rudel, of Ulrich von Liechtenstein, of the Monk of Pucibot, of Pons de Capdueilh, and even of Peire Vidal and Guillaume de Balaun, survive to prove it was a serious thing, a stark and life-disposing reality.

Peire Cardenal began the series and a similar poem is attributed to Perdigon, a troubadour who joined the crusaders and fought against his old patrons; though the poem is probably not his, it belongs to a time but little posterior to the crusade.

Minstrels and poets of the greatest contended with him; Saill had her champion in Guillem of Cabestaing, Elis in Girault of Borneilh; the Dauphin of Auvergne sang of Tibors, and Peire Vidal of Lady Maent. It was Bertran who dubbed her with the name she ever afterwards went by throughout Poictou and the south, the name of Bel Vezer.

He had no small idea of his own powers: "Peire d'Auvergne," he says in his satire upon other troubadours "has such a voice that he can sing in all tones and his melodies are sweet and pleasant: he is master of his art, if he would but put a little clarity into his poems, which are difficult to understand." The last observation is entirely correct: his poems are often very obscure.

Peire travelled, in the pursuit of his profession, to the court of Sancho III. of Castile and made some stay in Spain: he is also found at the courts of Raimon V. of Toulouse and, like Peire Rogier, at Narbonne. Among his poems, two are especially well known. In a love poem he makes the nightingale his messenger, as Marcabrun had used the starling and as others used the swallow or parrot.

The Danube valley was a high road for the armies of crusaders; another route led from Northern Italy to Vienna, by which Peire Vidal probably found his way to Hungary. At the same time, though Provençal influence was strong, the Middle High German lyric rarely relapsed into mere imitation or translation of troubadour productions.

He thus left Italy about the year 1229, and retired to the South of France, where he visited the courts of Provence, Toulouse, Roussillon, penetrating also into Castile. A chief authority for these wanderings is the troubadour Peire Bremen Ricas Novas, whose sirventes speaks of him as being in Spain at the court of the king of Leon: this was Alfonso IX., who died in the year 1230.

For by the Blood of Christ, our common salvation! I will hang him there on Monday!" So Peire swung in the air ere long and stuck out a black tongue at the crows, who cawed and waited for supper; and presently they feasted while d'Andreghen rode to Arques, carrying a rope for Hugues. For the Marshal, you must understand, was a man of sudden action.

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