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Many years before Georges Guynemer was a student at Stanislas, a professor, who was also destined to become famous, taught rhetoric there. His name was Frédéric Ozanam. He too had been a precocious child, prematurely sure of his vocation for literature. When only fifteen he had composed in Latin verse an epitaph in honor of Gaston de Foix, dead at Ravenna.
He repeatedly left the literary cloister in which Ozanam had imprisoned himself, and had read secular works so as to be able to judge of them. This province he entered gropingly, like a child in a vault, seeing nothing but shadow around him, perceiving in this gloom only the gleam of the candle which illumed the place a few paces before him.
He quoted the following saying of Ozanam with emphatic approval: "What the age needs is an intellectual crusade"; and he affirmed that Leo XIII. had done very much to aid us in preaching it, and that Pius IX., rightly understood, had led the way to it. "The Catholics I would help with my left hand, the Protestants with my right hand," he once said.
Just as the Church perpetuated the primitive form of holy objects, so she has preserved the relics of her dogmas, piously retaining, as the frame that encloses them, the oratorical language of the celebrated century. As one of the Church's own writers, Ozanam, has put it, the Christian style needed only to make use of the dialect employed by Bourdaloue and by Bossuet to the exclusion of all else.
With more intolerance than even Ozanam, he resolutely denied all that pertained to his clan, proclaimed the most disconcerting axioms, maintained with a disconcerting authority that "geology is returning toward Moses," and that natural history, like chemistry and every contemporary science, verifies the scientific truth of the Bible.
M. Ozanam has well said of that death-bed scene between the saint and the barbarian king and queen "The history of invasions has many a pathetic scene: but I know none more instructive than the dying agony of that old Roman expiring between two barbarians, and less touched with the ruin of the empire than with the peril of their souls."
But art and literature embody ideas only; and, as Ozanam says so well: "Beneath the current of ideas which dispute the empire of the world, lies that world itself such as labor has made it, with that treasure of wealth and visible adornment which render it worthy of being the transient sojourn-place of immortal souls.
The life of mankind is too complex that one should write of it with one exclusive standard as to loss and gain. And whatever be one's standard the facts cannot be ignored. The France of the thirties and the forties saw a liberal movement within the Roman Church. The names of Lamennais, of Lacordaire, of Montalembert and Ozanam, the title l'Avenir occur to men's minds at once.
"Christianity," to quote Ozanam again, "shrank from condemning a veneration of the beautiful, although idolatry was contained in it; and as it honored the human mind and the arts it produced, so the persecution of the apostate Julian, in which the study of the classics had been forbidden to the faithful, was the severest of its trials.
"She superintended with extraordinary wisdom," says the old chronicler Sozemon, "the transactions of the Roman government," and "afforded the spectacle," says Ozanam, a later historian, "of a girlish princess of sixteen, granddaughter and sole inheritor of the genius and courage of Theodosius the Great, governing the empires of the east and west, and being proclaimed on the death of her brother, Augusta, Imperatrix, and mistress of the world!"
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