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Updated: June 17, 2025
Almost every character is provided with a confidant: Silvio has Linco; Mirtillo, Ergasto; Dorinda, Lupino; Carino , the supposed father of Mirtillo, has Uranio; Montano and Titiro act as confidants to one another.
The Pastor Fido was on her night-table, and opening the book I proceeded to read the passage where Mirtillo describes the sweetness of the kiss Amaryllis had given him, attuning my voice to the sentiment of the lines. Clementine seemed as much affected as I was, and I fastened my lips on hers. What happiness!
Finally, in order to obtain a witness, she accuses Amarilli to Mirtillo of being faithless, and bids him watch the mouth of the cave in which she alleges the nymph has an assignation with Coridone. This ingenious plan would have succeeded to perfection but for Mirtillo's precipitancy, for, seeing Amarilli enter the cave, he at once concludes her guilt and follows her forthwith to wreak revenge.
Happening to see the nymph at the Olympian games, Mirtillo at once fell in love and contrived to introduce himself in female attire into the company of maidens to which she belonged. Here, the proposal being made to hold a kissing match among themselves, Amarilli was unanimously chosen judge, and, the contest over, she awarded the prize to the disguised youth.
The Pastor Fido was on her night-table, and opening the book I proceeded to read the passage where Mirtillo describes the sweetness of the kiss Amaryllis had given him, attuning my voice to the sentiment of the lines. Clementine seemed as much affected as I was, and I fastened my lips on hers. What happiness!
Explanations ensue, and it gradually appears that Mirtillo is the eldest son of Montano, washed away in his cradle by the floods of the Alpheus twenty years before. Thus in the love between him and Amarilli, and in his voluntary sacrifice of himself in her place, the oracle is fulfilled, and Arcadia freed from its maiden tribute.
Nor are the more tumultuous sides of human passion represented, for it is impossible so to regard Corisca's love for Mirtillo, which is at bottom nothing but the cynical caprice of the courtesan, who regards her lovers merely as so many changes of garment Molti averne, uno goderne, e cangiar spesso.
If the reader wants kisses, let him look for them in the "Pastor Fido"; there is one entire chorus where nothing but kisses is mentioned; and the piece is founded solely on a kiss that Mirtillo gave one day to Amarilli, in a game of blind man's buff, un bacio molto saporito.
They leave the stage for good to get healed and married. To return to the main plot. At sundown Mirtillo is led out to die, and the sacrifice is about to be performed when his supposed father, an Arcadian by birth, though he has long lived at Elis, and has just arrived in search of his foster child, interposes.
In general, two types of love may be traced in the Italian pastoral, namely the honest human desire of such characters as Mirtillo and Amarillis, Dorinda, Aminta, and the more or less close approach to mere sensuality found in Corisca and the satyrs.
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