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As will be shown, such a definition of poetry was not formulated previous to the renaissance. Then by combining Aristotle's definition of tragedy from the Poetics with his definition of rhetoric, Lombardus defined poetic as

In the face of such indubitable evidence, it is difficult to account for the pertinacity with which Romish and Anglican theologians insist that these two offices had from the first been different in name and functions.... Even Jerome, Augustine, Urban II. and Petrus Lombardus admit that originally the two had been identical.

The second, or that of a Sententiarius, was necessary for lecturing on the chief compendium of mediaeval School-theology, the so-called Sentences of Peter Lombardus, the due performance of which duly led to the attainment of the third step.

B. Lombardus, for instance, in his preface to Maggi's edition of Aristotle's Poetics , differentiates logic, rhetoric, and poetic by the same criteria. Logic, he says, proves by syllogism, and in this is different from both rhetoric and poetic, which use enthymeme and example as more appropriate to a popular audience, while poetic uses example almost entirely and scarcely ever enthymeme.

This was admitted by many early writers, as Jerome, Augustine, Urban II, Petrus Lombardus, Chrysostom, Theodoret, and others. From the general classification already given, let us proceed to the specific. This body was made up of elders or bishops. The fact that the terms "elder" and "bishop" were applied to all the presbyters shows equality of rank; that the office was one.

It would be right practically to distinguish the Radical from the Whig; and yet it might shock Duns or Lombardus, the magister sententiarum, when he came to understand that partially the principles of Radicals and Whigs coincide. To be free from all bias, and to begin his review of sects in that temper, he must begin by being an infidel.

A more explicit influence on the renaissance belief that the function of poetry is to improve social morality is readily seen in the definitions of poetry which have already been quoted from Lombardus and Varchi, who formulated their definitions of poetry by combining Aristotle's definition of tragedy with his definition of rhetoric.

In the theoretical treatises on poetry produced on the continent there is frequent use of rhetorical terms. It was to be expected that scholars whose education had been largely rhetorical should carry over the vocabulary of rhetoric into what was on the rediscovery of the Poetics practically a new science. Lombardus makes poetry include oratory.