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Updated: May 13, 2025
From what the writer has gathered, however, from those who knew Borrow intimately, he has good reason to believe that there are more facts recorded in the latter part of “Lavengro,” and in “The Romany Rye,” than are credited by many students of “Don Jorge’s” writings.
Is not Lavengro, when he leaves London on foot with twenty pounds in his pocket, entitled to more respect than Mr. Flamson flaming in his coach with a million? And is not even the honest jockey at Horncastle, who offers a fair price to Lavengro for his horse, entitled to more than the scroundrel lord, who attempts to cheat him of one-fourth of its value. . . ."
Apart from these characters, the men and women of "Lavengro" and "The Romany Rye" are all in harmony with one another, with Borrow, and with Borrow's world. Jasper Petulengro and his wife, his sister Ursula, the gigantic Tawno Chikno, the witch Mrs.
He was forced to review his situation. Authorship had obviously failed, and he found himself with no reasonable prospect of employment. There is no episode in Borrow's life that has so exercised the minds of commentators and critics as his account of the book he terms in Lavengro, The Life and Adventures of Joseph Sell, the Great Traveller.
First, he appears in the green lane near Norman Cross; then at Norwich Fair and on Mousehold Heath; again at Greenwich Fair, where he tries to persuade Lavengro to take to the gipsy life; and once more in the neighbourhood of the noted dingle of the Isopel Berners episode. This, of course, is due to the exigencies of what Mr.
"My obligations to him for 'Lavengro' and 'The Romany Rye' and his other works are such as I owe to few men. I have enjoyed Gypsying more than any other sport in the world, and I owe my love of it to George Borrow." "The English Gypsies" appeared in 1873, and the "Romano Lavo-Lil" in 1874.
There is little doubt of the immortality of this good old style, and it testifies to the full heart and perhaps the full glass also of George Borrow; but it was not this passage in particular that made Whitwell Elwin call his writing "almost affectedly simple." "Lavengro" in 1851 and "The Romany Rye" in 1857 failed to impress the critics or the public.
And this was followed in 1901 by his edition of ‘Lavengro,’ which, notwithstanding certain unnecessary carpings at Borrow—such, for instance, as the assertion that the word “dook” is never used in Anglo-Romany for “ghost”—is beyond any doubt the best edition of the book ever published. G. R. Sims and Mr. David MacRitchie.
But though Lavengro takes up smithery, which, though the Orcadian ranks it with chess-playing and harping, is certainly somewhat of a grimy art, there can be no doubt that, had he been wealthy and not so forlorn as he was, he would have turned to many things, honourable, of course, in preference.
The precise date of Borrow’s leaving Norwich and betaking himself to London cannot be ascertained, but it is certain that he left his brother behind him in the old home. Mr. Birrell believes it to have been not later than 1828, and says “his only introduction appears to have been one from William Taylor to Sir Richard Phillips, the publisher known to all readers of “Lavengro.” Mr.
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