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The Hesiodic system when compared with that of Homer is much more explicit, much less expurgated, infinitely less accomplished and tactful. At the back of Homer lay the lordly warrior-gods of the Heroic Age, at the back of Hesiod the crude and tangled superstitions of the peasantry of the mainland.
He freed Attica from robbers and wild beasts, conquered the celebrated Minotaur of Crete, and escaped from the labyrinth by the aid of Ariadne, whom he carried off and abandoned. In the Iliad he is represented as fighting against the centaurs, and in the Hesiodic poems he is an amorous knight-errant, misguided by the beautiful Ægle.
But the Bushman story is just the sort of story we expect from Bushmen, whereas the Hesiodic story is not at all the kind of tale we look for from Greeks. The explanation is, that the Greeks had advanced out of a savage state of mind and society, but had retained their old myths, myths evolved in the savage stage, and in harmony with that condition of fancy.
It is the opinion of Grote that the story which appears in the Hesiodic Theogony, of the castration of Saturn and Uranus by their sons with sickles forged by the mother, was borrowed from the Phrygians, or from the worship of the Great Mother.
Also the Hesiodic poets worked in a comparatively backward and unenlightened atmosphere, the Homeric were exposed to the full light of Athens. The third element in this Homeric reformation is an attempt to make religion satisfy the needs of a new social order.
Grote describes the different races of men as they appear in the Hesiodic theogony—the offspring of gods. First, the golden race: first created, good and happy, like the gods themselves, and honored after death by being made the unseen guardians of men—“terrestrial demons.” Second, the silver race, inferior in body and mind, was next created, and being disobedient, are buried in the earth.
The Hesiodic and Orphic cosmogonies were a phase of thought intermediate between mythology and philosophy and had a great influence on the beginnings of knowledge. There was nothing behind them; they were to physical science what the poems of Homer were to early Greek history.
The poet chooses the Hesiodic and un-Homeric myth of Heaven and Earth, and their progeny: a myth current also in Polynesia, Australia, and New Zealand. The poet is full of inquiry as to origins, even etymological, as is Hesiod. Turning to Gemoll, we find him maintaining that the two parts were in ancient times regarded as one hymn in the age of Aristophanes.
Homer and Hesiod are the great authorities of the theogonies of the pagan world, and we can not tell how much of this was of their invention, and how much was implanted in the common mind of the Greeks, at an age earlier than 700 B.C. The Orphic theogony belongs to a later date, but acquired even greater popular veneration than the Hesiodic.
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