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<b>RUDE, MME. SOPHIE FRÉMIET.</b> 1797-1867. Medal at Paris Salon, 1833. Born in Dijon. This artist painted historical and genre subjects as well as portraits. Her picture of the "Sleeping Virgin," 1831, and that of the "Arrest of the Duchess of Burgundy in Bruges," 1841, are in the Dijon Museum. <b>RUYSCH, RACHEL.</b> The perfection of flower-painting is seen in the works of Rachel Ruysch.
He had his limitations. Whatever passion he had for nature, he had no conception of art. There was sent to him once a fine and very expressive cat's head in bronze, by Fremiet. I placed it on the floor. He regarded it intently, approached it cautiously and crouchingly, touched it with his nose, perceived the fraud, turned away abruptly, and never would notice it afterward.
The Van der Meulen would still catch its requisite afternoon light in its place of honour, the Fremiet and the Dresden and Old Worcester would continue undisturbed in their accustomed niches. Emmeline could have the Japanese snuggery, where Francesca sometimes drank her after-dinner coffee, as a separate drawing- room, where she could put her own things.
He had his limitations. Whatever passion he had for nature, he had no conception of art. There was sent to him once a fine and very expressive cat's head in bronze, by Fremiet. I placed it on the floor. He regarded it intently, approached it cautiously and crouchingly, touched it with his nose, perceived the fraud, turned away abruptly, and never would notice it afterward.
<b>KINDT, ADELE.</b> This painter of history and of genre subjects won her first prize at Ghent when less than twenty-two, and received medals at Douai, Cambrai, Ghent, and Brussels before she was thirty-two. Was made a member of the Brussels, Ghent, and Lisbon Academies. Born in Brussels, 1805. Pupil of Sophie Frémiet and of Navez.
The delicious bronze Fremiet on the mantelpiece had been the outcome of a Grand Prix sweepstake of many years ago; a group of Dresden figures of some considerable value had been bequeathed to her by a discreet admirer, who had added death to his other kindnesses; another group had been a self-bestowed present, purchased in blessed and unfading memory of a wonderful nine-days' bridge winnings at a country-house party.
To the right and left of this divan stood breast-high bookcases with olive green curtains, their tops serving as shelves for a multitude of small ornaments, casts of animals by Fremiet and Barye, Donatello's lovely femme inconnue, beer steins, a little bronze clock, a calendar, and a yellow satin slipper of Flossie's in which Vandover kept Turkish cigarettes.
He had his limitations. Whatever passion he had for nature, he had no conception of art. There was sent to him once a fine and very expressive cat's head in bronze, by Fremiet. I placed it on the floor. He regarded it intently, approached it cautiously and crouchingly, touched it with his nose, perceived the fraud, turned away abruptly, and never would notice it afterward.
It is admitted that he is a man of talent, but that he is not considered a great sculptor in his own country is equally beyond doubt. He would not be compared, for instance, with such men as Chapu, Dubois, Falguiere, Clesinger, Mercie, Fremiet, men who stand in the front rank of their profession. The list of his works is not long.
He had his limitations. Whatever passion he had for nature, he had no conception of art. There was sent to him once a fine and very expressive cat's head in bronze, by Frémiet. I placed it on the floor. He regarded it intently, approached it cautiously and crouchingly, touched it with his nose, perceived the fraud, turned away abruptly, and never would notice it afterward.
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