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Updated: May 13, 2025
And yet this dramatic contrast has been wantonly thrown away by the substitution of narrative for representation, less for the sake of a blind adherence to classical convention, as on account of the author's inability honestly to face a powerful situation. The same dramatic incapacity shows itself in his use of borrowings. It will be sufficient to mention the sententious words from Ovid (Amores, I. viii. 43) placed in the mouth of the chorus: Dunque non si dir
to whom, with all the readiness of the bucolic shepherds, whom this classic soil even now produces, Card. Sorbelloni, the Pope's cousin, replied: Risponda dunque; O beata sorte! Risponda alla divina cantilena Da tutte parti la beata Corte, Si ch' ogni vista ne sia pi
Yet it was a trifling adventure such as a country girl would perhaps ponder on till some ruddy contadino made acceptable love to her, when she would break her resolution of secrecy and get at the truth that she was free. Dunque good-bye, Tessa! kindest wishes!
Quella che fu pur dianzi Sì dalla tema del morire oppressa, Fatta allor di repente A le parole di Mirtillo invitta, Con intrepido cor così rispose: 'Pensi dunque, Mirtillo, Di dar col tuo morire Vita a chi di te vive? O miracolo ingiusto!
The well-dressed man lifted his forefinger and waved it back and forth before his face: The Well-dressed Man. Dunque, non si parte più? We knew quite as well from this pantomime of negation as from the dialogue our sad fate, and submitted to it. Some adventurous spirit demanded whether any trains would go on the morrow.
'Dunque he resumed, in a changed manner, and beginning to speak French 'I became old enough I used to steal from the market-place. Later I went to work imprinted the stamp on clay bottles, before they were baked. It was an earthenware-bottle factory. There I began making models. One day, I had had enough. I lay in the sun and did not go to work.
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