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He knew Max Diestricht's he could well have done without the aid of the arc lamp which, even if dimly, indicated that low, almost tumble-down, two-story structure tucked away between the taller buildings on either side that almost engulfed it. It was late. The street was quiet.

"This is what probably put the idea into his head, after first, in some way, having discovered old Max Diestricht's hiding place; and, if I had given him time enough, he would probably have stuck one of these seals, in clumsy imitation of that little eccentricity of mine, on the wall over there to stamp the job as genuine. You begin to get it, don't you Lannigan? Pretty sure-fire as an alibi, eh?

With a swift movement he emptied his glass into the cuspidor, set the glass back on the table, and stepped out from the stall. His destination was Max Diestricht's. The Palace Saloon was near the upper end of the Bowery, and, failing a taxicab, of which none was in sight, his quickest method was to walk, and he started briskly forward.

A glance up and down the street, and Jimmie Dale was standing, or, rather, leaning against Max Diestricht's door. There was no one to see, and if there were, what was there to attract attention to a man standing nonchalantly for a moment in a doorway? It was only for a moment. Those master fingers of Jimmie Dale were working surely, swiftly, silently.

Except for his felt hat that lay a little distance away, there was no sign of Whitey Mack; the huddled form of the man, who but a moment since had chuckled as he pocketed old Max Diestricht's gems, lay sprawled, inert, upon the floor, and Lannigan was staring into the muzzle of Jimmie Dale's automatic. "Drop that gun, Lannigan!" said Jimmie Dale coolly.

The shops and stores had long since been closed, Max Diestricht's among them the old Hollanders' name in painted white letters stood out against the background of a darkened workshop window. In the story above, the lights, too, were out; Max Diestricht was probably fast asleep and he was stone deaf!