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When I told Schwinn I had affidavits showing that Rafael Demmler, President of the Steuben Society of Los Angeles, got two hundred dollars in April, 1936, from the Nazi Consul to help maintain the Deutsches Haus as a center of Nazi propaganda, he shook his head bewilderedly; and when I pointed out that he himself got one hundred and forty-five dollars in cash from the Nazi Consul on Tuesday, April 28, 1936, to cover expenses incurred by Schwinn in the effort to bring the German-American groups together for the better dissemination of Nazi propaganda, his face turned alternately white and red and finally he exploded: "Did Gyssling tell you that?"
I hope that my cousin in Augsburg has received them, or that they are lying at Josef Killiau's for her; so I have written to beg her to send them to me at once. Until I come myself, I commend to your good offices an organist, and also a good pianist, Herr Demmler, from Augsburg. I had entirely forgotten him, and was very glad when I heard of him here.
He said to me, "I must tell you that I never heard you play as you did to-day, and I mean to say so to your father as soon as I go to Salzburg." What do you think was the first piece after the symphony? The concerto for three pianos. Herr Demmler took the first part, I the second, and Herr Stein the third.
Herr Demmler was seized with fits of laughter, for he is a queer creature, and when anything pleases him exceedingly, he can't help laughing heartily; indeed, on this occasion he actually began to swear! Addio! Augsburg, Oct. 25, 1777. The receipts of the concert were 90 florins, without deducting the expenses. Including, therefore, the two ducats we took in the Casino concert, we had 100 florins.
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