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While this was done secretly, a decree to this effect had never been issued, and legally the Salic law was still in force when Charles's son, Fernando VII., approached his last days. Fernando had been unlucky with his wives, as the first three proved to be short-lived, and the fourth, Maria Cristina, Princess of Naples, presented him with two daughters and no sons.

When his mother, sweet and pallid Doña Cristina, would stop her fancy work for an instant to give him a kiss, he always saw in her smile something of the Empress.

And for the Nuns of S. Cristina in Bologna, of the Order of Camaldoli, the same Salviati, at the entreaty of Don Giovan Francesco da Bagno, their Confessor, painted an altar-piece with many figures, a truly beautiful picture, which is in the church of that convent.

The Dramas and Poems contained in the eight numbers of 'Bells and Pomegranates' were: I. Pippa Passes. 1841. II. King Victor and King Charles. 1842. III. Dramatic Lyrics. 1842. In a Gondola. Artemis Prologuizes. Waring; I.; II. Queen Worship; I. Rudel and The Lady of Tripoli; II. Cristina. The Pied Piper of Hamelin; a Child's Story. IV. The Return of the Druses. A Tragedy, in Five Acts. 1843.

If she, or anyone associated with her wanted the place left vacant for some reason, why did not the Thing and the warning come to others of our household group? Vere, Phillida, the Swedish woman, Cristina all had lived here for weeks without any experiences like mine. I had not been told to leave my room, but the house. The danger, then, was only for me?

Whatever the notary deposited in the rooms of the first floor would soon make its appearance in the garret as mysteriously as though it had acquired feet; for Doña Cristina and her servants, obliged to live in a continual struggle with the dust and cobwebs of an edifice that was slowly dropping to pieces, were beginning to feel a ferocious hatred of everything old.