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Updated: June 24, 2025
Fresh blue and white cretonnes and chintzes met his unaccustomed eyes; straight chairs, easy-chairs, and deep, low comfy chairs; airy tables, the preposterously slender legs of which looked frail and were not; books, paper-backed, and gay magazines; a wondrous, limpid cheval-glass. Across the farther side of the room was a very wide window.
The patterns of chintzes, cretonnes, and silkolenes are manufactured to follow closely the paper designs, and where flowered ceiling and frieze are used with a plain wall, the same color and design may be carried out in bed and window draperies, and in couch and chair coverings.
A street door on two wooden horses served as a table; the ceilings and walls were covered with cretonnes from the Paris warehouses; photographs of women and children adorned the side wall between the nickeled glitter of telegraphic and telephonic instruments.
For some weeks, the underground arrangements of Fricourt, the stairs with wired treads, the bolting holes, the air and escape shafts, the living rooms with electric light, the panelled walls, covered with cretonnes of the smartest Berlin patterns, the neat bunks and the signs of female visitors, were written of in the press, so that some may think that Fricourt was better fitted than other places on the line.
Herein rich jumbles are, of tapestries, clocks of all periods including a harvest of those of the "grandfather" era fire-screens, brass kettles, andirons, stained-glass, artistic lamps in endless variety, the latest things in pillow cushions, book racks, wall papers, wall "decorations" and "hangings," draperies, curtains, cretonnes.
The Morris designs for wall-paper, tapestry, cretonnes and carpets are now the property of the world, but to say just which is a William Morris design and which a Burne-Jones is an impossibility, for these two strong men worked together as one being with two heads and four hands.
Gone were the Morris papers and gone the severe cretonnes, gone were the Arundel prints that had adorned the walls of her drawing-room in Ashley Gardens; the room blazed with fantastic colour, and I wondered if she knew that those varied hues, which fashion had imposed upon her, were due to the dreams of a poor painter in a South Sea island. She gave me the answer herself.
I had the samples brought down to the living-room, piled on a chair near-by, and then dismissed the attendant. Mrs. Sewall appeared only slightly interested. In fact, I think we both were observing each other more closely than the cretonnes. They acted simply as a screen, through the cracks of which we might surreptitiously gaze.
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