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Glaucilla hearing of this, and suspecting the supposed philtre, mingles with it an antidote, so that when Olinda drinks it she only falls into a death-like trance. Hereupon Cosma accuses Glaucilla of substituting a poison for the philtre. She is condemned to be cast from the cliffs, but Perindus comes forward and claims to die in her place.
Meanwhile Cosma 'a light nymph of Messina, who replaces the 'wanton nymph of Corinth' of the Arcadian cast has fallen in love with Perindus, and, determining to get rid at a stroke both of his sister Olinda and his mistress Glaucilla, gives the former a poison under pretence of a love-cure.
Immediately beyond is the hoary old church of SS. Cosma e Damiano, with mosaics of the sixth century on its tribune, built out of three ancient temples, as Dr. Parker has clearly proved the round Temple of Romulus Maxentius, the Temple of Venus, and the Temple of Rome.
Sabine desired that the stone which was to be tied to him when thrown in the river should be buried with his body, and this might have been done in the case of other martyrs. The stones in the church of SS. Cosma e Damiano are supposed to have been the very ones that were fastened to the necks of these devoted Christians when they were thrown into the Tiber in the reign of Maximian.
'He has had a sickness, answered the mother, in a low, tender voice. 'Not many days ago, one might have feared he would be taken from us. Our prayers prevailed, thanks to the intercession of the holy Cosma and Damian, and of the blessed Theodore.
The graves of Lucretia and Alfonso and numerous other members of the house of Este in Ferrara have disappeared. No picture of the famous woman exists either in that city or in Modena. Although many, doubtless, were painted, none has been preserved. In Ferrara there were numerous artists, Dossi, Garofalo, Cosma, and others. Titian may have painted the beautiful duchess's portrait.
The American troops, under Quitman and Worth, had established themselves within the limits of the city, having possession of the gates of Belen and of San Cosma, but, up till nightfall, had met with a vigorous resistance from the Mexicans, led on by Santa Anna in person. They had still, apparently, a desperate task before them.
The side walls of the splendid staircase of the Bracchi Palace are sheathed with a very rare and beautiful variety, remarkable for the delicacy of its veins and its brilliant polish. The veneer was produced by slicing down two ancient columns discovered near the Temple of Romulus Maxentius in the Forum, converted into the Church of SS. Cosma e Damiano.
Cosma and Damian were Arabian doctors who were converted to Christianity, and belonged to the class called "silverless martyrs" that is, physicians who took no fee from those whom they cured, but only stipulated that they should believe in Christ the Great Physician. They occupied in Christian hagiology the same place as the ancient myth of Esculapius occupied in pagan mythology.
Two other stones may be seen in the quaint old church of SS. Cosma e Damiano at the south-eastern angle of the Roman Forum, composed of portions of three pagan temples. They are inserted in the plain whitewashed walls on both sides of the circular arch through which you pass from the round vestibule into the interior of the church.
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