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Updated: June 4, 2025
But the patent of Charles the Bold had more significance. In 1473 he entertained the project of employing the great Italian General against his Swiss foes; nor does it seem reasonable to reject a statement made by Colleoni's biographer, to the effect that a secret compact had been drawn up between him and the Duke of Burgundy, for the conquest and partition of the Duchy of Milan.
Colleoni's court, like that of Urbino, was a model of manners. As became a soldier, he was temperate in food and moderate in slumber. It was recorded of him that he had never sat more than one hour at meat in his own house, and that he never overslept the sunrise. After dinner he would converse with his friends, using commonly his native dialect of Bergamo, and entertaining the company now with stories of adventure, and now with pithy sayings. In another essential point he resembled his illustrious contemporary, the Duke of Urbino; for he was sincerely pious in an age which, however it preserved the decencies of ceremonial religion, was profoundly corrupt at heart. His principal lordships in the Bergamasque territory owed to his munificence their fairest churches and charitable institutions. At Martinengo, for example, he rebuilt and re-endowed two monasteries, the one dedicated to St. Chiara, the other to St. Francis. In Bergamo itself he founded an establishment named "La Piet
Yet the walls of the inner court and of the ancient state-rooms are brilliant with frescos, executed by some good Venetian hand, which represent the chief events of Colleoni's life his battles, his reception by the Signory of Venice, his tournaments and hawking-parties, and the great series of entertainments with which he welcomed Christiern of Denmark.
Far more noteworthy than Colleoni's own monument is that of his daughter Medea. She died young in 1470, and her father caused her tomb, carved of Carrara marble, to be placed in the Dominican Church of Basella, which he had previously founded. It was not until 1842 that this most precious masterpiece of Antonio Amadeo's skill was transferred to Bergamo. Hic jacet Medea virgo.
Crowe and Cavalcaselle assign this picture with some confidence and with fair show of reason, to Cariani, on whom again they father the frescoes at Colleoni's Castle of Malpaga. I have ventured to notice it above in connection with Giorgione, since it exhibits some of the most striking Giorgionesque qualities, and shows the ascendency of his imagination over the Venetian School.
Yet the walls of the inner court and of the ancient state rooms are brilliant with frescoes, executed by some good Venetian hand, which represent the chief events of Colleoni's life his battles, his reception by the Signory of Venice, his tournaments and hawking parties, and the great series of entertainments with which he welcomed Christiern of Denmark.
Here accordingly the finest bronze equestrian statue in Italy, if we except the Marcus Aurelius of the Capitol, was reared upon its marble pedestal by Andrea Verocchio and Alessandro Leopardi. Colleoni's liberal expenditure of wealth found its reward in the immortality conferred by art.
It was indeed no slight tribute to Colleoni's reputation for integrity, that the jealous Republic, which had signified its sense of Carmagnola's untrustworthiness by capital punishment, should have left him so long in the undisturbed disposal of their army. The Standard and the Bâton of S. Mark were conveyed to Colleoni by two ambassadors, and presented to him at Brescia on June 24, 1455.
Here accordingly the finest bronze equestrian statue in Italy, if we except the Marcus Aurelius of the Capitol, was reared upon its marble pedestal by Andrea Verocchio and Alessandro Leopardi. Colleoni's liberal expenditure of wealth found its reward in the immortality conferred by art.
It is not necessary to follow Colleoni's fortunes in the Regno, at Aquila, Ancona, and Bologna. He continued in the service of Caldora, who was now General of the Church, and had his Condotta gradually increased. Meanwhile his cousins, the murderers of his father, began to dread his rising power, and determined, if possible, to ruin him.
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