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Among these figures he portrayed at the foot of the scene, seated upon some steps, Il Bronzino, who was then a boy and his disciple a figure with a basket, which is lifelike and beautiful to a marvel.
Satires, ii. But the characteristic vice of the Italian was not coarse sensuality. He required the fascination of the fancy to be added to the allurement of the senses. It is this which makes the Capitoli of the burlesque poets, of men of note like Berni, La Casa, Varchi, Mauro, Molsa, Dolce, Bembo, Firenzuola, Bronzino, Aretino, and de' Medici, so amazing.
During that time he painted the case of a harpsichord, which much pleased the Prince, and finally Bronzino executed his portrait, which was very beautiful, and the Prince was well satisfied with it.
The sweetness was all for her; she had the sense of the poor gentleman's having somehow been handled as Lord Mark had handled his wife. He dangled there, he shambled a little; then he bethought himself of the Bronzino, before which, with his eyeglass, he hovered.
Jacopo, therefore, having summoned Bronzino, caused him to paint a figure on each of five spandrels of the vaulting, these being Fortune, Justice, Victory, Peace, and Fame; and on the other spandrel, for they are in all six, Jacopo with his own hand painted a Love.
Jacopo, then, wrote so many times, and employed so many means, that in the end he brought Bronzino back; but for all that the man could never be induced to do any other part of this work than the cartoons, although he was urged to it by the Magnificent Ottaviano and by Duke Alessandro.
It was decided that all the leading artists should contribute something, each in his own line, to the erection of a splendid catafalque, and a sub-committee of four men was elected to superintend its execution. These were Angelo Bronzino and Vasari, Benvenuto Cellini and Ammanati, friends of the deceased, and men of highest mark in the two fields of painting and sculpture.
But, for all the diligence that he used there, he was surpassed by Bronzino, and by others who had less design than himself, in invention, in boldness, and in the treatment of the chiaroscuro.
The fine Albert Duerer an altarpiece in wood the Moro portraits, the Bronzino Descent from the Cross all veritable gems, lastly the portrait of Cardinal Granvelle by Titian. This is a noble work; there are also two canvases attributed to Velasquez, "Galileo," and a "Mathematician."
Whereupon, setting to work, Jacopo first designed all the ornaments that were to be painted there, and had them executed for the most part by Bronzino and the masters who had executed those of Careggi.
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