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Over the sea, flat on his face, lies the monstrous, terrible North Wind, sighing and sinking his voice as in secret, like an old grumbler; for once in good humor, unto the ocean he talks, and he tells her wonderful stories." Beowulf's Three Great Exploits. The hero of the poem engaged in three great contests, all of which were prompted by unselfishness and by a desire to relieve human misery.
Bid thou my warriors after my funeral pyre Build me a burial-cairn high on the sea-cliff's head; So that the seafarers Beowulf's Barrow Henceforth shall name it, they who drive far and wide Over the mighty flood their foamy keels. Thou art the last of all the kindred of Wagmund! Wyrd has swept all my kin, all the brave chiefs away! Now must I follow them!"
These also he gave to Beowulf, thus like a true man requiting his valiant deeds with horses and other precious gifts. He bestowed treasures also on each of Beowulf's followers and gave orders that a price should be paid in gold for the man whom the wicked Grendel had slain.
It was burned utterly, so that only the stud of steel remained. His coat of mail alone was not enough to guard the young warrior from the fiery enemy. But right valiantly he went on fighting beneath the shelter of Beowulf's shield now that his own was consumed to ashes by the flames.
He roared, and the hall resounded with his yells, as up and down he raged, with Beowulf holding him in a fast embrace. The benches were overturned, the timbers of the hall cracked, the beautiful hall was all but wrecked. Beowulf's men had seized their weapons and thought to hack Grendel on every side, but no blade could touch him.
Bid the gallant warriors burn my body on the headland here which juts into the sea, and afterwards raise a huge mound on the same spot, that the sailors who drive their vessels over the misty floods may call it Beowulf's Mound."
The aged warrior counsellor, as Starcad here and Master Hildebrand in the "Nibelungenlied", is one type of these persons, another is the false counsellor, as Woden in guise of Bruni, another the braggart, as Hunferth in "Beowulf's Lay". At "moots" where laws are made, kings and regents chosen, cases judged, resolutions taken of national importance, there are discussions, as in that armed most the host.
He agreed with Bugge, that Bjarik's combat with the winged monster shows contact with the story of Beowulf's fight with the dragon. Sarrazin, replying to ten Brink, scouts the idea that a poem, such as Beowulf, which was completely unknown in England after the eleventh century, should, after this time, be well known in Scandinavian countries and exert a notable influence there.
There is some wonderful grim landscape in the poem; towards the middle there is a great speech on deterioration through prosperity, a piece of sustained intensity that reads like an Aeschylean chorus; and there is some admirable fighting, especially the fight with Grendel in the hall, and with Grendel's mother under the waters, while Beowulf's companions anxiously watch the troubled surface of the mere.
What French and what Saxon elements are found in the poem? Compare it with Beowulf to show the points of inferiority and superiority. Compare Beowulf's fight with Grendel or the Fire Drake and Sir Gawain's encounter with the Green Knight, having in mind the virtues of the hero, the qualities of the enemy, the methods of warfare, the purpose of the struggle.
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