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I do not think he came out quite so nobly as this blind beggar did; but he did come out, and we will thank God for that. We read in John that for fear of the Jews he was kept back from confessing openly. "And after this, Joseph of Arimathea, being a disciple of Jesus, but secretly, for fear of the Jews, besought Pilate that he might take away the body of Jesus; and Pilate gave him leave.
I believe the messenger was Abenadar, for I saw him assisting in taking Jesus down from the Cross. When Joseph of Arimathea left Pilate's palace, he instantly rejoined Nicodemus, who was waiting for him at the house of a pious woman, which stood opposite to a large street, and was not far from that alley where Jesus was so shamefully ill-treated when he first commenced carrying his Cross.
There is a votive Deposition by Giottino, in which the general conception is that which belonged to the school, and very like Giotto's Deposition in the Arena at Padua. In the background, in the centre, stands St. John, bending over the group in profound sorrow; on his left hand Joseph of Arimathea stands with the vase of "spices and ointments," and the nails; near him Nicodemus.
He came, therefore, and took the body of Jesus." Read the four accounts given in the four Gospels of Joseph of Arimathea. There is very seldom anything mentioned by all four of the Evangelists. If Matthew and Mark refer to an event it is often omitted by Luke and John; and, if it occur in the latter, it may not be contained in the former.
'And after this Joseph of Arimathea, being a disciple of Jesus, but secretly for fear of the Jews, besought Pilate that he might take away the body of Jesus; ... And there came also Nicodemus which at the first came to Jesus by night. JOHN xix. 38, 39.
Another, an admirable and celebrated composition by Annibale Caracci, known as the Four Marys, omits Martha and St. John. The attention of Mary Magdalene is fixed on the dead Saviour; the other two Marys are occupied by the fainting Mother. Besides Joseph of Arimathea, we have sometimes Nicodemus; as in the very fine Deposition by Perugino, and in one, not loss fine, by Albert Durer.
In a beautiful small composition, a print, attributed to Albert Durer, there are only three figures. Joseph of Arimathea stands on a ladder, and detaches from the cross the dead form of the Saviour, who is received into the arms of his Mother.
When the even was come, there came a rich man of Arimathea, named Joseph, who also himself was Jesus' disciple he went to Pilate, and begged the body of Jesus. Then Pilate commanded the body to be delivered.
Apparently Celtic myths of obscure antiquity have been adapted in France, and interwoven with fables about Joseph of Arimathea and Christian mysteries. It is not possible here to go into the complicated learning of the subject. In Malory, Balin, after dealing the dolorous stroke, borrows a strange shield from a knight, and, thus accoutred, meets his brother Balan, who does not recognise him.
There is a map of Washington accurately laid down; and taking that map with him in his journeyings, a man may lose himself in the streets, not as one loses one's self in London, between Shoreditch and Russell Square, but as one does so in the deserts of the Holy Land, between Emmaus and Arimathea.
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