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Updated: June 14, 2025


He declares himself all the more ashamed of, and vexed by, this, as his own family were allied by close private ties with the English nation. An attempt has been made to show that in Montaigne's 'Apologie de Raymond Sebond, in which he expounds his theological opinions in the most explicit manner, a hidden attack is contained upon the Church.

And thus his Apologie, though it seems to have been composed while the controversy was still fresh in men's memory, was not published until nearly ten years after his death . It was not written for controversy, but for truth. From the first page it rises into the atmosphere of calm, in which alone great questions can be profitably discussed.

Memorable, too, in this branch of literature is Harington's Apologie for Poetry , prefixed to his translation of the Orlando Furioso. But it was not criticism only which had been advancing. The publication of the first part of Lyly's Euphues and of Spenser's Shepherd's Calendar in 1579 may be said to have initiated the golden age of our literature.

The remainder of the building is mainly Early English. Some old stained glass in the Perpendicular windows of the nave should be noticed and also the chained copy of Bishop Jewel's Apologie or Answer in Defense of the Churche of Englande, dated 1571, in the chancel. The pulpit dates from the early seventeenth century and is a well-designed piece of woodwork with carving of that period.

Lyly's Euphues suffers from overwrought conceits and forced antitheses, but it influenced writers to pay more attention to the manner in which thought was expressed. The flowery prose of Sidney's Arcadia presents a pastoral world of romance. His Apologie for Poetrie is a meritorious piece of early criticism.

Such a lament sounds strangely to us, accustomed as we are to regard the age of Elizabeth, already half ended when Sidney wrote, as the most fruitful period of our literature. But, when the Apologie was composed, no one of the authors by whose fame the Elizabethan age is now commonly known Sidney himself and Spenser alone excepted had begun to write.

In the 'Apologie de Raymond Sebond, Montaigne defends the 'Theologia Naturalis' of the latter a book in which the author, who was a medical man, a philosopher, and a theologian, endeavours to prove that the Roman Catholic dogmas are in harmony with the laws of nature. That which is to be received in full faith, Sebond exerts himself to make comprehensible by arguments of the reason.

It is the more honour to Sidney that, shackled as he was by conditions from which no man could escape altogether, he should have struck a note at once so deep and so strong as is sounded in the Apologie. II. In turning from Sidney to Dryden we pass into a different world. The philosophy, the moral fervour, the prophetic strain of the Elizabethan critic have vanished.

The Apologie of Sidney is, in truth, what would now be called a Philosophy of Poetry. It is philosophy taken from the side of the moralist; for that was the side to which the disputants had confined themselves, and in which altogether apart from the example of others the interest of Sidney, as man of action, inevitably lay. It is philosophy as conceived by the mind of a poet.

Nevertheless, he soon became proficient in the language of his adopted country, and wrote his excellent Apologie des juifs, which, crowned by the Academy of Metz and quoted by Mirabeau, was largely instrumental in removing the disabilities of the Jews in France. Clermont-Tonnerre, the advocate of Jewish emancipation, said of him, Le juif polonais seul avait parlé en philosophe.

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