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Updated: May 6, 2025
Nissen relates: "Mozart, being in mourning for his mother, appeared dressed, according to the French custom, in a red coat with black buttons; but soon discovered that Aloysia's feelings towards him had undergone a change. She seemed scarcely to recognize one for whose sake she had once shed so many tears. Munich, Dec. 31, 1778. I HAVE this instant received your latter from my friend Becke.
He set out from Paris at once, promising himself just one indulgence before entering the bondage which lay before him, a visit to his friends the Webers at Mannheim. When he arrived there he found they had gone to Munich to live. Therefore he pushed on to Munich. The Weber family received him as warmly as of old, but in Aloysia's eyes there was only a friendly greeting, nothing more.
Nohl thus sums up the whole affair: "Neither happiness nor riches brightened Aloysia's path in life, nor the peace of mind arising from the consciousness of purity of heart.
They could live very comfortably, he says, because Aloysia's eldest sister could cook. The father Weber reminds him greatly of his own father, and Aloysia will be, he is sure, a congenial friend for Nannerl.
In the mean time, Aloysia's room was besieged with crowds of anxious visitors and voluntary condolers on her resolution of renouncing wealth, pleasure, and Protestantism, for poverty, Popery, and penance.
Yet after breaking his heart, as he supposed, for the gifted and fickle woman who became a successful prima donna, after losing her, he did that most impossible thing which could never happen in real fiction, and sought his consolation in the arms and in the heart of Aloysia's younger sister, who was not especially pretty, and was only modestly musical.
For this Paris was not entirely to blame, seeing that Mozart had gone there unwillingly and was parted from his beloved Aloysia. It was in Paris, too, that his mother died. And now, while he was so deeply concerned for Aloysia's career and was trying so desperately to secure her an engagement in Paris, she was blandly forgetting him.
Nature seems to have presided in a special manner over the moulding of Aloysia's exquisite frame. The symmetry of her person, hand and foot of charming delicacy, azure eye and rosy cheek, garlanded with nature's golden tresses, and the sweet expression of innocence in her features, would suggest her at once as a model for one of Raphael's Madonnas.
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