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Updated: June 22, 2025


"Intellect," he said, "is king of heaven and of earth;" but, in Plato, intellect is always moral. His writings have also the sempiternal youth of poetry. For their arguments, most of them, might have been couched in sonnets; and poetry has never soared higher than in the Timaeus and the Phaedrus. As the poet, too, he is only contemplative.

In many places, however, Plato calls the participants of the gods by the names of the gods. For not only the Athenian Guest in the Laws, but also Socrates in the Phaedrus, calls a divine soul a god. "For," says he, "all the horses and charioteers of the gods are good," &c. And afterwards, still more clearly, he adds, "And this is the life of the gods."

Of this species, the following is an example from the Phaedrus of Plato. It is inquired if the soul is immortal; and this being hypothetically admitted, it is inquired in the next place if it is always moved.

The descriptive portion of the Timaeus retains traces of the first Greek prose composition; for the great master of language was speaking on a theme with which he was imperfectly acquainted, and had no words in which to express his meaning. The rugged grandeur of the opening discourse of Timaeus may be compared with the more harmonious beauty of a similar passage in the Phaedrus.

The speech may be compared with that speech of Socrates in the Phaedrus in which he describes himself as talking dithyrambs. It is at once a preparation for Socrates and a foil to him. The rhetoric of Agathon elevates the soul to 'sunlit heights, but at the same time contrasts with the natural and necessary eloquence of Socrates.

In the beautiful story of Philemon and Baucis, Jupiter and Mercury reward the aged couple who had so hospitably received them by warning them of the approaching deluge. The fables of Phaedrus and Aesop represent Mercury and Demeter as wandering and enjoying the hospitality of men. In India it is Brahma and Vishnu who generally wander.

Maximus knows that I speak truth, for in his careful study of the Phaedrus he has read of the 'place that is higher than heaven, being builded on heaven's back. Maximus also clearly understands I am now going to reply to your accusation about the name who he is whom not I but Plato was first to call the 'King'. 'All things, he says, 'depend upon the King of all things and for him only all things exist. Maximus knows who that 'King' is, even the cause and reason and primal origin of all nature, the lord and father of the soul, the eternal saviour of all that lives, the unwearying builder of his world.

The speeches have been said to follow each other in pairs: Phaedrus and Pausanias being the ethical, Eryximachus and Aristophanes the physical speakers, while in Agathon and Socrates poetry and philosophy blend together. But these and similar distinctions are not found in Plato; they are the points of view of his critics, and seem to impede rather than to assist us in understanding him.

But in the Phaedrus, Plato celebrates the supercelestial place, the subcelestial profundity, and every genus under this for the sake of amatory mania; the manner in which the reminiscence of souls takes place; and the passage to these from hence.

Among Greeks resident at Rome the best known teachers were Phaedrus and Zeno; a book by the former on the gods was largely used by Cicero in the first book of his De Natura Deorum. A little later Philodemus of Gadara, parts of whose writings are still extant, seems to have risen to the first place. In the time of Cicero this system obtained more disciples among the foremost men.

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