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What the marquise at first had merely conjectured and put together from various signs, became, by constant assiduous observation, complete certainty when the singer, after a tolerably long pause, joined in Josquin's hymn to the Virgin. In the Benedictio Mensae she remained silent, but at the first effective passage joined in the singing of the boys.

Gombert himself dispelled her fear that his composition would be purely secular in character, and Wolf upheld him by singing to the musical princess, to the accompaniment of the lute, snatches of the principal theme of the Benedictio, which had impressed itself upon his faithful memory.

"Benedictio Dei omnipotentis, Patris et Filii et Spiritus sancti, descendat super te et maneat semper. Amen." Then there fell a silence. A horse blew out its nostrils somewhere behind and stamped; then a man's voice cried brutally: "Now then, is that popish mummery done yet?" There was a murmur and stir in the group. But Anthony had risen. "That is all," he said.

It was the Cardinal who stood there, upright and serene as ever, with a look in his eyes that silenced the priest. He lifted his hand on which shone his great amethyst, and at the motion, scarcely knowing what he did, the priest was on his knees. "Benedictio Dei omnipotentis Patris et Filii et Spiritus Sancti, descendat super te, et maneat semper." That was all; not a word more.

Charles was gazing, as if the gates of Paradise had opened before him, toward the chapel doors, whence Maestro Gombert's Benedictio Mensae, a melody entirely new to him, was pouring like a holy benediction, devout yet cheering, sometimes solemn, anon full of joy. The lines of anxiety vanished from his brow as if at the spell of a magician.

Maestro Gombert had recently composed a Benedictio Mensae for four voices, and, as it was one of his most effective creations, had never been executed, and therefore would be entirely new to the Emperor, it was specially adapted to introduce the concert with which the monarch was to be surprised at table.

What the marquise at first had merely conjectured and put together from various signs, became, by constant assiduous observation, complete cer- tainty when the singer, after a tolerably long pause, joined in Josquin's hymn to the Virgin. In the Benedictio Mensae she remained silent, but at the first effective passage joined in the singing of the boys.

Gombert himself dispelled her fear that his composition would be purely secular in character, and Wolf upheld him by singing to the musical princess, to the accompaniment of the lute, snatches of the principal theme of the Benedictio, which had impressed itself upon his faithful memory.

But, alas! Just at that moment a short, imperious sound reached her ear. Appenzelder had struck the desk with his baton. The Benedictio must begin at once, and now her breath was really coming so quickly that it seemed impossible for her to sing in this condition. Deeply troubled, she pressed her hand upon her bosom. Then the cruel, tyrannical baton struck the wood a second time, and

But, alas! Just at that moment a short, imperious sound reached her ear. Appenzelder had struck the desk with his baton. The Benedictio must begin at once, and now her breath was really coming so quickly that it seemed impossible for her to sing in this condition. Deeply troubled, she pressed her hand upon her bosom. Then the cruel, tyrannical baton struck the wood a second time, and