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To begin with Miss Maud Callowgas, in permanent waiting upon her ex-semi-episcopal widowed mother in age a real thirty-five though nominal twenty-eight, her muddy complexion, prominent teeth and all too long back. Her designs, real or imagined, upon Marshall Wace.
Unless we dismiss it all as the ingenious fabrication of Mr. Wace, we have to believe one of two things: either that Mr.
Wace, the persuasion at last became irresistible, that it was these creatures which owned the great quasi-human buildings and the magnificent garden that made the broad valley so splendid. And Mr. Cave perceived that the buildings, with other peculiarities, had no doors, but that the great circular windows, which opened freely, gave the creatures egress and entrance.
Cave recognised the Bear, the Pleiades, Aldebaran, and Sirius: so that the other world must be somewhere in the solar system, and, at the utmost, only a few hundreds of millions of miles from our own. Following up this clue, Mr. Wace learned that the midnight sky was a darker blue even than our midwinter sky, and that the sun seemed a little smaller. And there were two small moons!
Cave recognised the Bear, the Pleiades, Aldebaran, and Sirius; so that the other world must be somewhere in the solar system, and, at the utmost, only a few hundreds of millions of miles from our own. Following up this clue, Mr. Wace learned that the midnight sky was a darker blue even than our midwinter sky, and that the sun seemed a little smaller. And there were two small moons!
It was adapted from lower Brittany by Robert Wace. A Saxon Trouvère continued this to his own time, imbuing his work with thorough hatred of the Normans. Walter Map, Archdeacon of Oxford under Henry II., wrote many Arthurian tales, while Chrétien de Troyes wrote the greater part of "Sir Perceval de Galles" in Norman-French.
O'Hagan, Q.C., of Dublin. Most probably it was a curtailed version of this romance that is referred to by Wace in his "Roman le Rou," when he records how, as the Normans marched to Senlac Hill, in 1066, the minstrel Taillefer sang, "Of Roland and the heroes all Who fell at fatal Roncesvall."
He could hear the soft stealthy plunge and following rush of the sea up the white shelving beach. Could hear also less soothing sound through the open windows of the drawing-room of the Pavilion, just across the garden, Marshall Wace singing, with all the impassioned fervour of his rich and well-trained baritone, a ballad, then much in vogue, entitled "The Lost Chord."
It was in the rooms of Mr. Jacoby Wace, Assistant Demonstrator at St. Catherine's Hospital, Westbourne Street. It stood on the sideboard partially covered by a black velvet cloth, and beside a decanter of American whisky. It is from Mr. Wace, indeed, that the particulars upon which this narrative is based were derived.
Of old the king did me many a favour; much he gave me, more he promised me, and if he had given all that he promised me, it had been better for me. Here ends the book of Master Wace; let him continue it who will." Some twenty years earlier, in 1155, Wace had completed the Roman de Brut. The Brut is a reproduction in verse of Geoffrey's Historia.
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